After its hit run at the Atlantic, this show had a ton of buzz to transfer to Broadway a couple years ago, then the rumor was that it fell through due to a conflict from a key cast member (if I recall correctly).
Now, it's finally happening!
Personally, i had mixed feelings about the show when I saw it on the West End. I thought it started and ended well, but had a very slow middle. Still, I'm glad for them that it's finally getting this transfer!
Weird...it was enjoyable at Atlantic (two years before its Bway transfer) but I figured its narrow window of buzz/Broadway interest had passed. I believe it had a theatre and everything for Spring 2018 and then things fell through when the lead actor's wife became pregnant.
What a crazy year for new plays on Broadway! Reminds me of 2017 all over again.
The Inheritance The Lehman Trilogy Slave Play Hangman Grand Horizons The Sound Inside The Minutes A Christmas Carol Birthday Candles My Name Is Lucy Barton The Height of the Storm Linda Vista Sea Wall/A Life The Great Society
It's so nice that people are interested in seeing work from Phoebe Waller-Bridge's boyfriend!
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
SouthernCakes said: "Still seems like The Sound Inside is the best play front runner so far."
If we're going by reviews alone, Slave Play probably received the most effusive reviews, and it feels more "important" than Sound Inside, which is well-written & well-acted but kind of slight. I don't even know if Sound is guaranteed a nomination at this point.
Tony voters still might like The Inheritance better than the critics. The writing has an accessible/commercial quality, it has a better chance of still being open around nomination time, and it wouldn't be the worst thing for voters to skip Part 2!
Inheritance could still win (or be nominated for) the Pulitzer Prize, too.
RippedMan said: "True, but with Slave Play not extending, it may slip voters minds."
I really don't think that's of much consideration if we look at last year's nominees and winners. Boys in the Band won revival and Choir Boy got the nomination over box office smashes like Mockingbird and Network.
PianoMann said: "That listis missingThe Lehman Trilogy, which will definitely be a contender for Best Play, too. What an embarrassment of riches this season."
I enjoyed The Lehman Trilogy, but -- and I do think others shared my opinion -- I think it got 'less great' with each successive act. IMO Act 1 was an A+, Act 2 was a B+, and Act 3 was a C+. I really thought that Act 3 was confusing (and I spent my entire career in Banking and Brokerage), and the last part was pretty much a mess. I think that will hurt its chances. I also think it is going to be a challenge deciding how to nominate the actors, although I do think that Simon Russell Beale stood out in a great cast.
I enjoyed The Lehman Trilogy, but -- and I do think others shared my opinion -- I think it got 'less great' with each successive act. IMOAct 1 was an A+, Act 2 was a B+, and Act 3 was a C+. I really thought that Act 3 was confusing (and I spent my entire career in Banking and Brokerage), and the last part was pretty much a mess. I think that will hurt its chances.
I actually felt the opposite about it, starting off on the weaker side and then getting stronger and stronger with each Act and generation. The 3rd person perspective was a lull and unexciting device to wrap me in from the get-go, but as it went on I became extremely invested and found the ending extremely exciting. The ending will also carry weight with the Tony voters, knowing that they lived through the event and were around the same age as the people in the company when it collapsed. I have definitely spoken to a handful of native New Yorker's who found the symbolic use of the cardboard boxes very emotionally charged.
"I think it got 'less great' with each successive act. IMOAct 1 was an A+, Act 2 was a B+, and Act 3 was a C+. I really thought that Act 3 was confusing (and I spent my entire career in Banking and Brokerage), and the last part was pretty much a mess."
I completely agree about "Lehman Trilogy." Furthermore, the more time passes (I saw it last April at the Armory), the more I dislike the writing, the structure and the lack of point of view. The acting, however, was undeniably brilliant by all three.