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THE INHERITANCE - Reviews |
JBC3 said: "This David Cote column. Wow.
https://www.4columns.org/cote-david/the-inheritance"
I've had the misfortune to sit next to or behind Cote at several press performances (including Part 1 of THE INHERITANCE), and a more dour, seemingly miserable human being I've never seen. He has such a sense of self importance that he comes in as the lights are going down, scurries out just before intermission, and then dashes out of the theatre before the bows like he's Walter Kerr and needs to make the 9:00pm deadline for the morning edition of the NYT. He needs to get over himself.


joined:11/12/13
joined:
11/12/13
When did gay critics deduce that the cast of The Inheritance was straight? Are they simply undeclared or was there some "no-h*mo" posturing in the press? "As a straight man with a gay cousin it's an honor to play a gay role... etc. etc."
MrsSallyAdams said: "When did gay critics deduce that the cast ofThe Inheritancewas straight? Are they simply undeclared or was there some "no-h*mo" posturing in the press? "As a straight man with a gay cousin it's an honor to play a gay role... etc. etc.""
A cursory check of social media gives you a good idea. As did the three leads bringing their girlfriends to opening night.
itsjustmejonhotmailcom said: "MrsSallyAdams said: "When did gay critics deduce that the cast ofThe Inheritancewas straight? Are they simply undeclared or was there some "no-h*mo" posturing in the press? "As a straight man with a gay cousin it's an honor to play a gay role... etc. etc.""
A cursory check of social media gives you a good idea. As did the three leads bringing their girlfriends to opening night."
I don't understand why that matters though? If you hadn't have told me I never would have known. Their performances are incredible and I completely bought into each of their characters.
Chowd95 said: "itsjustmejonhotmailcom said: "MrsSallyAdams said: "When did gay critics deduce that the cast ofThe Inheritancewas straight? Are they simply undeclared or was there some "no-h*mo" posturing in the press? "As a straight man with a gay cousin it's an honor to play a gay role... etc. etc.""
A cursory check of social media gives you a good idea. As did the three leads bringing their girlfriends to opening night."
I don't understand why that matters though? If you hadn't have told me I never would have known. Their performances are incredible and I completely bought into each of their characters.
"
As a gay man, I didn't find their performances authentic.
itsjustmejonhotmailcom said: "Chowd95 said: "itsjustmejonhotmailcom said: "MrsSallyAdams said: "When did gay critics deduce that the cast ofThe Inheritancewas straight? Are they simply undeclared or was there some "no-h*mo" posturing in the press? "As a straight man with a gay cousin it's an honor to play a gay role... etc. etc.""
A cursory check of social media gives you a good idea. As did the three leads bringing their girlfriends to opening night."
I don't understand why that matters though? If you hadn't have told me I never would have known. Their performances are incredible and I completely bought into each of their characters.
"
As a gay man, I didn't find their performances authentic."
How so?
The sexuality of the performers has nothing to do with the play- if the acting is superb- what difference does it make? All gay performers were in a recent play- and sometimes gay performers portray gay people and sometimes gay people portray straight people- and everything in between. We have gone from color counters- to sexual preference counters- frankly, I think this misses the point of what theater is all about.
It honestly never crossed my mind if any of the actors were straight. The central performances are genuine. I was very surprised to learn some of them weren't gay. Which means they are doing their jobs beautifully.
Here is part of EW's recent interview with Matthew Lopez, which will perhaps be the final word on this issue.
Since this is a play about what it means to be a gay man, do you prioritize casting gay actors or the best person for the job?
"I have to go for whoever’s right for the role. The play is too enormous. The roles are too enormous to not do that. I’m very sensitive to the feelings of out gay actors in this business who see roles going to straight actors. As we were casting, we made a lot of overtures to out gay actors, many of whom passed on these roles. So, I’ve learned you cannot force an actor to do a play at gunpoint. We opened the doors to all corners and we looked at who was best for the part in terms of their spirit, in terms of their voices, and we cast the show according to those needs."
The entire interview can be found here.
clever2 said: "It honestly never crossed my mind if any of the actors were straight. Thecentralperformances are genuine. I was very surprised to learn some of them weren't gay. Which means they are doing their jobs beautifully.
Here is part of EW's recent interview with Matthew Lopez, which will perhaps be the final word on this issue.
Since this is a play about what it means to be a gay man, do you prioritize casting gay actors or the best person for the job?
"I have to go for whoever’s right for the role. The play is too enormous. The roles are too enormous to not do that. I’m very sensitive to the feelings of out gay actors in this business who see roles going to straight actors. As we were casting, we made a lot of overtures to out gay actors, many of whom passed on these roles. So, I’ve learned you cannot force an actor to do a play at gunpoint. We opened the doors to all corners and we looked at who was best for the part in terms of their spirit, in terms of their voices, and we cast the show according to those needs."
The entire interview can be found here."
Thank you for sharing this interview, clever2. When I first saw the play in London, I was amazed by everyone's performances, especially the leads. I thought Soller deserved that Olivier hands down.
I'll admit as a gay man myself that I wished they had cast openly out gay actors to originate the roles on Broadway given the plethora of gay actors here in NYC (or at least I think there is a good number of them here.) Either way, after reading this interview I'm thankful that Matthew Lopez and the casting team did reach out to openly out gay actors first.
Maybe I'm cynical, but that strikes me as the only answer Lopez could give, when it comes his and the production's best interests- sort of vague and puts the onus elsewhere and rests on the old "it's the best actors for the job always!" appeal to meritocracy. All the offers to out gay actors were declined? How... interesting.
David Cote was snoring loudly at The Michaels 2 weeks ago - I'm surprised he stayed awake to write his review.
My husband and I saw this on Sunday and didn't want it to end. We thoroughly enjoyed all 6.5 hours of it and would happily have spent even more time with these characters. We both agreed that it was the best of our five show visit, and that it would make a great movie.
"Michael Riedel...The Perez Hilton of the New York Theatre scene"
- Craig Hepworth, What's On Stage


joined:10/13/03
joined:
10/13/03
Wait, offers were made to a list of gay male actors who turned this down? Quite a statement. It either speaks to their other stellar opportunities or their issues with the script. Or maybe he's, like, you know, exaggerating to make a point.
Maybe the "Boys" revival is still in my consciousness. An old gay play -- to many boomers, THE gay play, before "Angels," though one with a track record of being un-PC -- pulled stars. But a new gay play couldn't get 'em on board?
Interesting.
Can anyone at this point hazard a guess if they will release tickets through at least May 2020?
I so want to see this and have left open slots on my May trip.
Will3700 said: "Can anyone at this point hazard a guess if they will release tickets through at least May 2020?
I so want to see this and have left open slots on my May trip."
One of the producers told me they’ll be happy to get to March.
Will3700 said: "Can anyone at this point hazard a guess if they will release tickets through at least May 2020?
I so want to see this and have left open slots on my May trip."
The producers are committed to running through to the Tonys.
Miles2Go2 said: "Today I decided I might bite the bullet and buy tickets for both parts. It looks like the codes that I want to use work best on January 5 if I want to see both parts on the same day. That’s during the time that I will be there. However when I go to Telecharge Offers and try to use the codes I get as far as the seat map loading and then it just never loads. And I know that it usually takes a while for the seat map to load but it shouldn’t take 15 minutes. Any thoughts? I could probably wait at least for part two and get a discount ticket for that Sunday hen Audience Rewards releases January dates. "
Telecharge’s website can be very unfriendly when trying to book performances in succession. Their customer service is usually very helpful. You might want to call them.
I’m not of the mind that only people within a given sexuality can play characters in that same sexuality, but this whole play felt so Gay Stuff 101 and it was partially rooted in the unbelievability of the straight dudes playing at gayness.
clever2 said: "Telecharge’s website can be very unfriendly when trying to book performances in succession. Their customer service is usually very helpful. You might want to call them."
Thanks. I was avoiding calling because I didn’t wanna pay the extra fees for ordering over the phone, but the customer representative said that the fees are the same regardless so I ended up buying tickets for part one and part two with one of my discount codes. Still kind of pricey even with discount, but I’m looking forward to seeing both parts on Sunday, January 5. Sitting in row M Center orchestra for both parts.







joined:4/9/17
joined:
4/9/17
Posted: 11/22/19 at 1:21pm