So I saw Deborah Cox performing I Will Always Love You at the WorldPride Closing Ceremony last night and, maybe the ambience contributed to it, but I thought she freakin NAILED it.
She also sang something from Aida as well (I dont remember which song though) and spoke about how she dreamed of coming to Broadway and loves coming back.
So my question is was The Bodyguard only ever meant to tour, or did it have a Broadway trajectory in mind.
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I saw the tour launch at Paper Mill Playhouse. I am a huge fan of Deborah Cox, and I thought she was remarkable. Witnessing her performing those iconic songs was a great experience. However, outside of Cox, the show was REALLY bad. The book was horrendous, the set was dirt cheap, the projections were laughable. I can definitely see why this didn't come to Broadway.
"There’s nothing quite like the power and the passion of Broadway music. "
I saw the tour when it came through Chicago and aside from Cox, it was atrocious. I described it to friends thus: "As a concert of Whitney Houston songs sung by Deborah Cox, it was a delightful evening. As a musical, it was a disaster."
You definitely got the good end of the deal just seeing Cox sing and not having to see the rest of the show along with it.
The show was one of the worst things I ever saw when it played the Pantages in LA. Also Cox must have been having an off night, she looked and sounded exhausted and over it. Truly horrible all around.
Cox was wonderful in a horrid production of a lifeless musical.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
It is probably the worst professional musical I've ever seen. But if they could get Jennifer Hudson signed on I'd be there front row centre to hear her perform this incredible catalog of songs.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
qolbinau said: "It is probably the worst professional musical I've ever seen. But if they could get Jennifer Hudson signed on I'd be there front row centre to hear her perform this incredible catalog of songs."
As long as they got someone else to come on and do the acting scenes for her x
Gurl, there is no acting required. This is like high-school level writing here.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I'll pile on and agree. A truly awful piece of 'musical theatre.' Cox was the one and only highlight (and is genuinely a very nice person and gracious with her fans). The whole time I was watching it at Shea's in Buffalo I was thinking -- is this real, or am I trapped in some SNL skit of actors acting in a horrible production? It was laughable for all the wrong reasons.
It's playing in Long Island right now at the Gateway https://www.broadwayworld.com/long-island/article/THE-BODYGUARD-THE-MUSICAL-Announced-At-The-Gateway-20190621
I saw it in London and thought although it was not a good musical, it was at least fun for the most parts. Not sure what happened with the transfer though.
We have a production coming through Jacksonville in a really small venue that even I haven't heard of. I can't get any information off their website. Is this a nonequity tour, a regional tour, or even less? If Deborah Cox is still in it, then I'm in. If anybody knows anything, please educate me.
I saw this at Gateway today. Some lovely voices, but quite obvious why it didn’t make it to Broadway. The book is dreadful and in this production, at least, it didn’t know what time period it was in. It would be eviscerated by every critic in NYC and by everyone on this board. While I had fun (I mean, those songs!), I felt like I was gonna exit the auditorium and find myself on the Empress of the Seas or in front of a coaster at Six Flags. Credit where credit is due though...the cast was giving it their all and the audience seemed enamored. Again, the book is the problem. You could plop Queen Bey and Chris Pine into the leads and it would sell, but in the end all you got is Whitney’s great catalog.
You missed “I’ll always love you?!!!”. To each their own lol.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000