New York City Center has just announced it's 2019-2020 line-up! According to the New York Times, the next Encores! season will include Mack and Mabel (Feb 19-23), Kurt Weill's Love Life (March 18-22) directed by Victoria Clark, and a "new version" of Thoroughly Modern Millie, featuring edits by the playwright Lauren Yee.
This year's fall gala will be a new production of Andrew Lloyd Webber and Tim Rice's Evita, running November 13-24.
NEW YORK City Center (Arlene Shuler, President & CEO) has played a defining role in the cultural life of the city since 1943. The landmark 75th Anniversary Season (2018 - 2019) pays tribute to this rich history and celebrates the institution's singular role in the arts today.
For 25 years, City Center's Tony?honored Encores! series has been "an essential New York institution" (The New York Times). In 2013, City Center launched the Encores! Off?Center series, which features seminal Off?Broadway musicals filtered through the lens of today's innovative artists.
Dance has also been integral to the theater's mission from the start and programs like the annual Fall for Dance Festival remain central to City Center's identity. Home to a roster of renowned national and international companies including Alvin Ailey American Dance Theater (City Center's Principal Dance Company) and Manhattan Theatre Club, New York City Center was Manhattan's first performing arts center, founded by Mayor Fiorello La Guardia with the mission of making the best in music, theater, and dance accessible to all audiences. That mission continues today through robust education and community engagement programs which bring the performing arts to over 9,000 New York City students each year and the expansion of the theatrical experience to include art exhibitions, pre?show talks, and master classes that offer an up?close look at the work of the great theater and dance artists of our time. NYCityCenter.org
I had seen the three Encores! shows last week because I saw that I could renew my subscription, but I didn't know Victoria Clark was directing Love Life and that Ashley Park is starring in Millie! I really hope they bring back Alexandra Socha and Douglas Sills for Mack and Mabel.
Also I definitely did not see that Evita gala. I assume this will not be a 40th anniversary reunion special?
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
Thrilled that MILLIE is being reexamined. Hopefully if it goes well, this will replace the original version for licensing purposes.
"I definitely did not see that Evita gala. I assume this will not be a 40th anniversary reunion special?"
Seeing as it's a 2-week run of performances, with Sammy Cannold listed as the director and no mention of Hal Prince, safe to assume it will NOT be a reunion.
Also I definitely did not see that Evita gala. I assume this will not be a 40th anniversary reunion special?
THIS needs to happen. Patti LuPone, Mandy Patinkin and Bob Gunton. In a concert-staging, this is realistic and physically possible for them. God knows vocally LuPone and Patinkin still have the chops. Hearing LuPone sing the full score again with her mature voice would be thrilling.
givesmevoice said: "I had seen the three Encores! shows last week because I saw that I could renew my subscription, but I didn't know Victoria Clark was directing Love Life and that Ashley Park is starring in Millie! I really hope they bring back Alexandra Socha and Douglas Sills for Mack and Mabel.
Also I definitely did not see that Evita gala. I assume this will not be a 40th anniversary reunion special?"
I really hope Alexandra Socha and Douglas Sills reprise their amazing performances. They were really good in their segment of Hey, Look Me Over. They should be playing these roles. I was completely enchanted by their performances.
Thrilled at both Mack and Mabel and Thoroughly Modern Millie. I love the latter, but it has aged very poorly, and a reexamination of the book (plus a fantastic actress attached) is just what it needs.
Thrilled Millie is being done with an Asian female playwright and an Asian female lead! This show has NOT aged well, so I’m glad it’s finally being revisited. Here’s to replacing the cringeworthy 2002 version.
The casting and rewriting of MILLIE show that they are desperate to erase the stigma the show has received lately, it hardly fits the criteria or the original goals of ENCORES. I heard a rumor that Socha will, in fact, be playing Mabel. Let's see if it happens.
Like all other ENCORES casting, I'm sure nothing is set in stone this far out, and if anyone gets a better offer later, they'll take it. But I would assume that Sills and Socha will both be offered M&M (same with Marc Bruni, who directed "Hey Look Me Over".
I think doing a revised Millie reveals that it's Encores that is the desperate one here. They must need to drum up ticket sales and enthusiasm after a few lackluster seasons.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Kad said: "I think doing a revised Millie reveals that it's Encores that is the desperate one here. They must need to drum up ticket sales and enthusiasm after a few lackluster seasons."
I would GUESS thatthis revised Millie stemmed from the authors. Tesori probably came to Jack Viertel and was like "we're revising MILLIE and want to try it out somewhere, are you interested?" So, instead of going to Papermill or Goodspeed, they'll try it at Encores.
The new initiative also opens the door to enhancement agreements (commercial producers subsidize a non-profit production of a show while developing it with the hopes of a Broadway future). Like it or not, that's a big source of income for nonprofit theatres nowadays. But yeah, their ticket sales probably are down, with 4 stinkers in 2 years. If this Millie has a future life, that could help Encores financially, and allow they to take bigger risks on older shows that need to be "reconstructed."
Remember, Chicago was only 20 years old when Encores did it, and the original Chicago ran longer than Millie.
Really excited for Ashley Park as Millie. I believe she’s a truly promising up and comer. It’s also good to know they’re trying to revise the show, cause it could really use that treatment
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
SomethingPeculiar said: "Kad said: "I think doing a revised Millie reveals that it's Encores that is the desperate one here. They must need to drum up ticket sales and enthusiasm after a few lackluster seasons."
I wouldGUESS thatthis revised Millie stemmed from the authors. Tesori probably came to Jack Viertel and was like "we're revising MILLIE and want to try it out somewhere, are you interested?" So, instead of going to Papermill or Goodspeed, they'll try it at Encores.
The new initiative also opens the door to enhancement agreements (commercial producers subsidize a non-profit production of a show while developing it with the hopes of a Broadway future). Like it or not, that's a big source of income for nonprofit theatres nowadays.But yeah, their ticket sales probably are down, with 4 stinkers in 2 years. If this Milliehas a future life, that could help Encoresfinancially, and allow they to take bigger risks on older shows that need to be "reconstructed."
Remember,Chicago was only 20 years old when Encores did it, and the originalChicagoran longer thanMillie."
What exactly is Jeanine Tesori's role at Encores? I'm sure it was her and the other authors who brought up the idea of producing a new version of Millie. I also always forget that Millie premiered in 2000 at La Jolla - I just remember that it moved to Broadway in 2002.
I also disagree that the past few seasons have been lackluster: Lady Be Good, Paint Your Wagon, Cabin in the Sky, 1776, Do I Hear a Waltz?, Big River, The New Yorkers, Grand Hotel and Me and My Girl were all highlights for me. I also really enjoyed Call Me Madam and High Button Shoes, but I do agree that those two were not as great as some of the other shows they've done.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
Jordan Catalano said: "I can definitely see them getting someone like Benanti for “Mack and Mabel”"
I don't think she has the right voice for it. Plus, I fear that she really is too old for Mabel...song lyrics refer to her being a kid. Also, the book is such a downer that I dont think it would play other many strengths.
An excellent season! I'm thrilled they are doing LOVE LIFE and MACK AND MABEL (and yes, its true the script to the later could still use an overhaul - it may never work, but the score is glorious). I've gotten to the point of exasperation when it comes to re-writing old musicals in the never ending quest to sanitize and make them "PC" but I think the spirit behind MILLIE is to give the piece a 'different perspective' -- not to come up with a permanent new revision. And I can get behind that.
I would kind of imagine there must be 'some' exciting reason they are doing EVITA. I wish it were for a Lupone/ Patinkin reunion, but barring that, what else could it be?
“I knew who I was this morning, but I've changed a few times since then.”
QueenAlice said: "I would kind of imagine there must be 'some' exciting reason they are doing EVITA. I wish it were for a Lupone/ Patinkin reunion, but barring that, what else could it be?"
This year is the 40th anniversary of the show's Broadway premiere, which is the only other reason I could think of.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad