I have no interest in seeing a milquetoast, generic, performer like Sutton tackle this role. Laura Benanti is a far more interesting choice. However, if there truly is a "name" attached, I'm going to assume that name is outside of the Broadway community. Neither Foster nor Benanti qualify as names.
But if Rosalie Craig gets rave reviews I don't see them dropping her. And I don't see this transferring without LuPone, either.
What non-singer (male) has played Bobby? His original five songs were difficult enough (okay, maybe not "Barcelona" and now most productions add "Being Alive, Part A" to close the first act.
I'm not saying only Josh Groban can play the part, but I've seen a dozen or more productions since 1970 and all the Bobbys could at least sing well enough.
Does anyone actually think LuPone, who has been involved in a lawsuit over a broken contract, wouldn't have first refusal for a transfer in writing?
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
I don't think Benanti's voice suits this at all. She's got a gorgeous legit voice, but this needs a strong belter. And I don't think I see her bringing the house down with "being alive."
I wouldn't believe anything LuPone says about future projects after her whole "I'm done with musicals" narrative during WAR PAINT. And I couldn't see this transferring without her at least being offered Joanne. She's a savvy lady: if it's well-received, this could be her third Tony.
If the production and Craig's performance get rave reviews, it could be packaged as "straight from London with its original stars!" If it doesn't get money reviews, it would be a big risk to transfer it without a star (unless a non-profit like LCT or Roundabout or even the Public wanted to pick it up). I really like the Anne Hathaway suggestion!
And of course the most important factor...it needs Mr. Sondheim's thumbs-up!
I feel that LuPone quote is frequently misunderstood. The context was she thought she’d never get another good role and therefore is probably done. Not that she is literally retiring.
I personally agree though it seems likely she would be needed? Who would replace her?
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
If it has a Broadway run, it will be with RC. Every time a West End show transfers, you all immediately start recasting with a 'named star' You did it with 'Matilda' . Bertie Carval, apparently not being a big enough name to sell the show. He got raves. The show and Sondheim are the stars Just because you haven't heard of the actor/s in question. Don't dismiss them , as unworthy on a chance to repeat the rave performances in NY. The same goes in reverse , Broadway to London
* The show is definitely not the star. It was revived recently and was a major financial failure
* While it is common for London shows to transfer the cast, it isn’t always. In fact the last London transfer of a Sondheim revival replaced stars with genuine names (Night Music). I don’t see it as unreasonable then that given this and the fact that no one goes to Sondheim shows without stars there could be rumors that they are considering finding a name for a transfer.
* A revival won’t be built upon Joanne but this is Patti LuPone as Joanne, which is a completely different proposition. One of the few Broadway stars that actually sells tickets. Who would want to throw money at this if LuPone isn’t involved? Unless they can get Hathaway or Scarlett as discussed earlier, I certainly wouldn’t go near this with a dime without LuPone.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
ljay889 said: "I honestly think even discussing the possibility of this transferring without LuPone is ridiculous."
Agreed. It's like imagining ANGELS coming over without Nathan Lane. It's probably have the reason it would.
As for Craig, she's going to have to get raves so the performance could be considered a Don't Miss. But I think it's likelier than not. The entire cast? That's seems a little less likely.
I love Patti but she doesn't sell tickets like Nathan Lane. She might help the box office for the first 8 weeks and add some prestige to the transfer, but she hasn't been in a hit since SWEENEY in 2006. Her 4 shows since all closed early and didn't recoup. This is going to be a risky transfer, especially if Craig and the production don't get raves.
I'd assume that any producer would want Patti to transfer. But it'd be up to Patti to accept or decline- and if nothing else, Patti does what she wants.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Kad said: "I'd assume that any producer would want Patti to transfer. But it'd be up to Patti to accept or decline- and if nothing else, Patti does what she wants."
Kad said: "I'd assume that any producer would want Patti to transfer. But it'd be up to Patti to accept or decline- and if nothing else, Patti does what she wants."
Exactly. If the show transfers without LuPone it's because she chose not to do it, not because they didn't want her. If she gets raves for this and a transfer is announced, you can bet she'd want to come over with it, to try and parlay this into Tony #3.