Probably Michael Crawford, but it's hard to say for sure since I'm mostly going off of audio - I've only actually seen him play the role in a camcorder bootleg and promotional stuff from YouTube.
Out of the ones I've seen on Broadway, I would rank them Ben Crawford, Laird Mackintosh (almost tied for first), Peter Jöback, then James Barbour (not bad, just...fine).
I always felt certain that Michael Crawford would never be bested, but then I heard and saw the current Phantom, Ben Crawford. This man has a voice that can shake the chandelier and his performance made me feel like I was seeing the show for the first time.
Honorable mentions go to Hugh Panaro, John Cudia, Jeremy Stolle, and Laird Mackintosh.
No competition for worst in my book: James Barbour.
==> this board is a nest of vipers <==
"Michael Riedel...The Perez Hilton of the New York Theatre scene" - Craig Hepworth, What's On Stage
Lot666 said: "I always felt certainthat Michael Crawford would never be bested, but then I heard and saw the current Phantom, Ben Crawford. Thisman has a voice that can shakethe chandelier and his performance made me feel like I was seeing the show for the first time.
Honorable mentions go to Hugh Panaro, John Cudia, Jeremy Stolle, and Laird Mackintosh.
No competition for worst in my book:James Barbour."
Totally agree. Personally found Barbour bland. Have thoroughly enjoyed the rest you mentioned, Stolle being my favorite understudy, and I would add John Owen Jones and Earl Carpenter to my list. I found Peter Joback to be really fantastic as well, but I know there is quite a divide.
labellaragazza1 said: "Totally agree. Personally found Barbour bland."
My biggest problem with him is he's one of those "shout singers", i.e., a performer who believes that loud yelling is the same thing as passionate singing.
labellaragazza1 said: "Have thoroughly enjoyed the rest you mentioned, Stolle being my favorite understudy,and I would add John Owen Jones and Earl Carpenter to my list. I found Peter Joback to be really fantastic as well, but I know there is quite a divide."
Mr. Stolle is brilliant, and I agree that Owen Jones and Carpenter are quite good as well. I didn't feel that Mr. Joback's vocal strength was sufficient for the role, but I did enjoy his acting.
==> this board is a nest of vipers <==
"Michael Riedel...The Perez Hilton of the New York Theatre scene" - Craig Hepworth, What's On Stage
James Barbour makes my skin crawl ever since I read up on his past offenses with an underage girl.
"Mostly, I loved the size of these people's emotions. Nobody has emotions this size anymore. Outsized emotions. Operatic emotions. Kushemski and Vanda are like Tristan and Isolde, they're Paolo and Francesca. Nobody's in total thrall like this anymore. Nobody's overcome by passion like this, or goes through this kind of rage." Thomas, Venus in Fur
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
rosscoe(au) said: "Anthony Warlow needs to be on the list"
Agreed. Anthony Warlow needs to be ALL over this list. His voice and acting choices (especially at the end of Act 1 & in The Mirror scene) were beyond extraordinary. Allegedly they added to Christopher Tucker's makeup to cover his ear in the original Melbourne production because he has such perfect pitch. Also, rumour has it, Maria Björnson's favourite in that era.
Justin D said: "2. Norm Lewis. + didn't go overboard with the screaming, good acting. - I honestly think the role was a tad too high to fit his voice properly."
I do like Mr. Lewis, but this is why he didn't make my list. I love it when a Phantom's lower notes are strong and rich, but it's no good if he struggles with the final note in "Music of the Night".
==> this board is a nest of vipers <==
"Michael Riedel...The Perez Hilton of the New York Theatre scene" - Craig Hepworth, What's On Stage