On the one hand, Bob Martin is a genius. The Drowsy Chaperone is one of my favorite musicals. Chad Beguelin is a gifted book writer. Matthew Sklar is a good songwriter. However, the thing that worries me is that there’s no out of town tryouts.
It had an out-of-town production at the Alliance Theatre in Atlanta in Aug/September 2016. The response was mixed; perhaps they've made changes for Broadway. The show seems promising.
The show I am most looking forward to this season - Christopher Sieber and Beth Leavel can sing the Apple iTunes Terms of Service Agreement to me and it would be hilarious.
In my opinion, any show that has Beth Level and Christopher Sieber IS good!
"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)
It's cute. Not great, but cute. The plot doesn't really work and while Sieber and Leavel are funny, their roles kind of needed to be played by real Broadway divas. The score wasn't particularly memorable. Their press is virtually non-existent. I'm predicting a flop.
I saw the out of town tryout. This is going to be one of the bombs of the season. They story is ridiculous, yes in a way that can only work in a musical comedy, but it's so over the top I just didn't believe it at all which took me out of it. There isn't one great musical moment in the show (chad beguelin is a paint by numbers writer at best)...Maybe a song with the gay daughter. Love the attempt and bringing an original musical comedy to the stage. But this is just not enough for broadway. It plays like a cheap sitcom on some random channel like the WB late at night. The pay off is next to nill.
A seasoned cast of performers mugs their way through the entire show, especially Beth Level (Chris Sieber fares better). Again the daughter is the one person who sticks out as real, but then again, i'm not sure the comedy works unless its outrageously performed (not sure thats a good thing)
I just don't understand Casey Nicholaw...unless its a parody or satire of something he just doesn't deliver. He's not funny unless he's referencing something. I would never hand him a brand new musical.
This is a bomb that I'm surprised is coming in at all. The quality isn't good enough. Again, where are the real creative producers on the scene who know what quality is and then know how to sell it to the tourist market (which unfortunately rules the market.