^really? To me Takei's reflectiveness, sensitivity, elegance, nobility, patience, unparalleled groundedness, star quality and, above all, his perspicacity make him ideal for the Reciter.
Great casting, and I'm excited to see what Doyle will do with the production. It was experimental to begin with. I hope they do a little re-imagining ... as long as Takei doesn't have to play the tuba.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
I want my tix now! This is great. Predict this will be a tough ticket since it's limited. Saw the original 17 times. Can't wait for this if this type casting continues!
This casting makes me even more excited I went ahead and got CSC membership even as an out-of-towner. I like what Doyle does with Sondheim and think Takei will bring a lot to this.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I think Mr. Takei will be a wonderful Reciter. He surprised me in Allegience as I did not know how adept he was with being on stage. My problem with this show is that Doyle is directing. I can just imagine everyone wandering around the CSC stage in their walking patterns while trying to connect with each other. He is what makes me question whether I would see this production.
If I remember correctly, the Roundabout production in '04 (?) was pretty stripped down, wasn't it? It seems like a show that just does well when not very elaborate, so I doubt whatever John is going to do with it will be radically upsetting, even to his detractors.
Also, on some level, almost everything Sondheim writes is about people not connecting with each other. So ok, you may hate the "walking patterns," as a way of showing that, but I do think one of the reasons John is such a great interpreter of Sondheim is that he stages it in interesting/sad/unexpected ways that extend past, say, walking around a diamond.
CSC's website currently just says "To be announced" as far as when tickets will go on sale. I hope it won't be too difficult to get a ticket. I liked Sweeney Todd, I loved The Color Purple, and I enjoyed Peer Gynt so I have no issue with Doyle directing and this is very exciting casting. George Takei was fantastic in Allegiance. I hope CSC is prepared to up their security for him though. The people at the Allegiance stage door were a little frightening.
For what it's worth, they haven't even started booking subscribers yet; an e-mail went out a few days ago saying that'd be happening soon. So it'll probably be a bit before non-subscriber tickets go on sale.
VintageSnarker said: "I hope CSC is prepared to up their security for him though. The people at the Allegiance stage door were a little frightening."
I agree. I went to see him in White Rabbit Red Rabbit, and the whole "stage-door" scene was a mess. In general, I think Off-Broadway theatres need to start getting with the times more when it comes to celebrities. Broadway learned years ago that they needed to put up barricades and have security for big celebrities, but I've yet to see a single Off-Broadway show do the same, despite the fact the crowds that wait for the big stars (though I admit the crowds are never as large as on Broadway).
But I suppose this is a conversation for a different thread.