I was recently listening to "I have Confidence" from the Sound of Music and realized that the first half of the song sounds nearly identical, lyrics and all, to "I Believe" from the Book of Mormon. I was just wondering if this was intentional and what other examples of this are out there?
Not exactly the same, but I can't sing "Welcome to Our House on Maple Avenue" from Fun Home in my head without it turning into the merchandisers' song from Chess. So it goes something like:
He wants the bust of Quixote square on the mantel.
Sweep that lint away, it’s what a broom is for.
Clean your teeth with checkered toothpaste, wear a vest ...
"Follow Me" from CAMELOT and "Come Back to Me" from ON A CLEAR DAY are down and up tempo variations of a near identical melody. One would guess they at the very least had the same composer. They don't, though they have the same lyricist.
Of course Jerry Herman is derivative of himself very often, which There is No Tune being the same song as It's Today and It Takes a Woman being the same as We Need a Little Christmas
Not two musical theatre songs, but "When Your Feet Don't Touch the Ground" from Finding Neverland (especially Gary Barlow's version) reminds me a lot of Coldplay's "Fix You."
gypsy101 said: "Andrew lloyd Webber basically stole the melody of the chorus of Someone Else's Story for If Only You Would Listen from School of Rock.
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I was just listening to that album and I looked up Someone Else's Story and I can actually sing the lyrics in my head of If Only You Would Listen to it. ALW does it again.
The title song of LEGALLY BLONDE and Part of Your World from THE LITTLE MERMAID have similar qualities as well.
Les Possions from THE LITTLE MERMAID and Be Our Guest from BEAUTY AND THE BEAST are the same melody, with different lyrics. (These were both written by Alan Menken.)
The "Unlimited" motif in Wicked famously uses the first seven notes of "Over the Rainbow".
I realized that "On My Own" from Les Mis and "Those You've Known" from Spring Awakening have almost the exact same rhythm when it comes to syllables. Also, my personal favorite, "Red and Black"/"Do-Re-Mi" (Red, the blood of angry men/ Tea, a drink with jam and bread).
BROADWAY: The Cripple of Inishmaan, This is Our Youth, If/Then, Hedwig and the Angry Inch (x3), Cabaret (x2), The Real Thing, A Gentleman's Guide to Love and Murder, Chicago, Les Miserables (x2) Disgraced, Finding Neverland, On the Twentieth Century, Wolf Hall Part I, On the Town, Fun Home; TOURING: Jekyll and Hyde, The Book of Mormon; LOCAL: The Twilight Zone, Anne Boleyn, Death and the Maiden, The Lying Kind, Chorus Line, Stupid F**king Bird
The Book of Mormon score is made up of parody songs. A lot of the melodies and ideas are taken directly from classic tunes (ex. I Believe/I Have Confidence or Sal Tla ka Siti/Somewhere that's Green or You and me (but mostly me)/The Wizard and I).
The show's fun and all, but I would hardly call it "original" or "brilliant."
Also, the opening vamp of "Tight Knit Family" from Falsettos always reminds me of "The Little Things" from Company (especially on the 2007 cast recording).