Just FYI: Tickets in the front row (AA) of the center orchestra section are gong for $97. Cheaper than any discount available for seats elsewhere in the house. No promo code needed, just visit Telecharge and book accordingly. :)
LimelightMike, I just saw that they made the front row available for $97. I am hesitant to get one until I heard how high the stage is, which in that theatre is already on the high side. Plus I heard that some scenes are staged on a raised platform. Anyone who is going to an early preview I would appreciate your thoughts on the play as well as how high the stage is and what you think of those seats, much thanks in advance.
Luv2goToShows said: "LimelightMike, I just saw that they made the front row available for $97. I am hesitant to get one until I heard how high the stage is, which in that theatre is already on the high side. Plus I heard that some scenes are staged on a raised platform. Anyone who is going to an early preview I would appreciate your thoughts on the play as well as how high the stage is and what you think of those seats, much thanks in advance. "
Having sat in the front row for too many shows to count at the venue, I can guarantee that the view is perfection. They wouldn't sell them for $97 if they obstructed, I assure you. Those would, instead, be rush seats. No doubt this will become a must-see this season.
Thanks LimelightMike, one of my concerns is having to crane my neck for 2 1/2 hours, which would kill my back. So, if the stage looks uncomfortably high I rather splurge and sit back further or take a chance on TDF and most likely get a seat in the mezzanine.
Wow. This is play is truly astounding. I loved every second of it. I was so shocked at how quickly the 2 hours and 40 minutes flew by. I could comment on each cast member individually, but I would just be repeating myself over and over again saying how wonderful they all were. I think all the major characters have a strong chance at getting Tony nods.
The set, lighting, and costumes are all impeccably designed and are sharp and perfect. Pretty much all of the action takes place on a raised platform in the center of the stage. I had a limited view seat off to the right hand side in row D of the orchestra. I didn't miss a thing until the very end. I won't spoil anything, but you do miss the final image of the play if you are off the right hand side of the orchestra in the partial view seats. Overall, though, they offered a great view.
I can't say enough good things about this play. This is by far my favorite thing I have seen this season. This play is just so well done and perfectly directed. King Charles III is an absolute must see.
"There’s nothing quite like the power and the passion of Broadway music. "
I'm getting home from tonight's preview and was completely taken with the play and the performances. This easily ranks up there with the cream of crop of this season so far.
I had seen both Cock and Bull when they played New York, but neither play prepared me for the greatness of Bartlett's work in King Charles III. The piece is conceived like one of Shakespeare's History plays; obviously this one is set in the future, throwing an interesting wrench into the set-up. Bartlett paints a rather terrifying picture of the possible near future, but he peppers it with humor derived from the scathing portrayals of the Royals and members of Parliament. (Please, if you're a Brit chime in and let me know what the Brits really think of these people!)
The acting was uniformly strong across the board with special mentions going to Tim Pigott-Smith as Charles, Richard Goulding as Harry and Lydia Wilson as Kate. All three were perfection and I hope they're remember when award season comes around.
I'll stay quiet about the plot because it will be more fun to go in not knowing the twists and turns. The play begins with the death of Elizabeth and Charles taking over the duties of the monarch. Audiences with the prime minister play a key role, so it's nice that we all had a primer to that tradition last season! And this plays as a nice companion piece to the Mirren vehicle too.
The lighting and sound design were excellent. The costumes were mostly basic black dresses for the women and suits for the men with a few surprises along the way. The set is simple (reminded me of a Wolf Hall) with the scenes being played out on a raised platform in the center of the stage.
Highly recommended, and the $37 seats in the mezz are great.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!
I agree with Wizzer. Also good to mention the actor playing William. Camilla also had a wonderful moment I had forgotten about from back when I read the play. Not much more to add.
^ I had rush seats off the right hand side. The view was just fine. You miss a couple entrances and exits, but pretty much all of the action takes place on a raised platform in the center of the stage. If you are in the rush seats off to the ride hand side, you may miss the final image of the play - at least I did.
"There’s nothing quite like the power and the passion of Broadway music. "