Taye is well known, but I'm not sure he has the passionate fanbase that any of the other Hedwigs have had.
Add in the fact that it was his first week and we know Hedwigs get better as they go. Plus he's still selling 93% of the theater, which is nothing to sneeze at.
Still...he has to sell tickets more than the day before. I'm not buying my ticket for October 11th yet, but I'm keeping my eye on it.
In other news - exactly what is going on with Amazing Grace?
Philly- maybe if you spent less time driving everyone here crazy and more time away from a computer, you'd have heard of the shows Taye Diggs has been in on TV.
When I saw Taye's first show, I was in the middle of a pack of women all roughly 40-50. Several said they'd been Taye fans since How Stella Got Her Groove Back and that movie is at least 15 years old now. I don't think Diggs has the same kind of fan base that other Hedwigs have had, but I think his return to the stage is incredibly appealing to the almost middle age group. I think how well known he is really depends on where you're looking and asking. My non-theater friends (all between the ages of 25-40, approximately) know him as "the guy from Private Practice/Grey's Anatomy."
Each Hedwig has had their own fan base that come to see the show just to see them perform. I think Taye definitely has that. People recognize his face, if only because he's had smaller parts in so many projects. Asking who is more popular isn't really worth it, as it all comes down to who you're asking. If you're 17/18 years old, I wouldn't suspect Taye Diggs to come up as an important or relevant actor, just as Darren Criss may not be relevant to a 50 year old. Or Andrew Rannells may not be relevant outside of the theater community. Arguing over which actor has the most fans takes away from the show--to me, that instantly makes it about a person portraying someone. It's no longer about the characters and the stories they tell.
Moving on...
I think Amazing Grace is on it's last legs. This week's numbers show what what people have been saying all along: the show just isn't finding an audience. I know they're still comping, but even that isn't getting butts in seats. When I saw the show in Chicago, it struck me as something a televised MegaChurch would create. Nothing about it screamed Broadway, aside from casting a few known names in the theater world. And pretty costumes. But well known names and good costuming don't typically keep a show open. In the worst of shows, the actors are often doing their absolute best with what they're given. This season, I can think of at least 6-8 musicals that are working their tails off for a theater, but simply won't get one because of availability. Every show deserve it's chance to shine, but I don't feel like Broadway is the right venue for Amazing Grace. In my eyes, it's taking up space that that is greatly desired and could serve other shows better.
Amazing Grace could do great in other productions--I truly wish it the best in the future, but I think it's a future of regional productions and Christian colleges.
Philly- I've been here a year and a half longer than you. But, unlike you, I don't feel the need to comment on everything.
I just read a lot and learn a lot from those who have the opportunity to see more shows than I do and who have shared wonderful stories about their experiences with shows-- whether they are from working on one or from seeing a production.
I agree oncemorewithfeeling except i don't think its that Amazing Grace isn't right for Broadway. I just think people aren't seeing it because 1. theres better things to see and 2. it got lousy reviews
All of the Hedwigs have had roughly the same deal- a respectable 5 figure base plus a percentage over a ceiling. Obviously, if you do the math, NPH made a lot more than any of the successors.
Amazing Grace, like OTT and several other shows of the last year, is running notwithstanding logic or common sense. If you have millions to flush, Broadway seems like the destination of choice. It seems quite likely both OTT and AG will close only when they are escorted to the sidewalk because the respective theatres need to move in the next (hopefully and likely more remunerative) show.
"When I saw Taye's first show, I was in the middle of a pack of women all roughly 40-50. Several said they'd been Taye fans since How Stella Got Her Groove Back and that movie is at least 15 years old now. I don't think Diggs has the same kind of fan base that other Hedwigs have had, but I think his return to the stage is incredibly appealing to the almost middle age group. I think how well known he is really depends on where you're looking and asking. My non-theater friends (all between the ages of 25-40, approximately) know him as "the guy from Private Practice/Grey's Anatomy." Each Hedwig has had their own fan base that come to see the show just to see them perform. I think Taye definitely has that. People recognize his face, if only because he's had smaller parts in so many projects. Asking who is more popular isn't really worth it, as it all comes down to who you're asking. If you're 17/18 years old, I wouldn't suspect Taye Diggs to come up as an important or relevant actor, just as Darren Criss may not be relevant to a 50 year old. Or Andrew Rannells may not be relevant outside of the theater community. Arguing over which actor has the most fans takes away from the show--to me, that instantly makes it about a person portraying someone. It's no longer about the characters and the stories they tell. Moving on...."
Good points. I actually got introduced to Hedwig because I went just for Andrew rannells. Once I knew about it I went again to see JCM. I have also gone just for Taye (and would've even if I hadn't known about it.) They all have tons of fans--just very different fans.
There is a huge group of 30-somethings and up who know Taye well. I told my friends I was seeing Darren Criss from glee in Hedwig and they said "which one is that again?" I told them I was seeing Taye diggs and they said "OMG Benny is Hedwig?!?" (You can't forget the huge number of then-teens Rent introduced to theater in the 90s. I mean I was in suburbia where most of my friends didn't know theater and everyone wanted to go to New York to see Rent.)
I wouldn't have thought Hedwig would appeal to Criss's fans but when I attended I was proven very, very wrong. The one cool thing about talking about who is playing it is they all bring totally different groups of people to Hedwig which is pretty cool. I think my fellow Taye fans will show up for him but time will tell. I just hope the sales continue such that they can bring new faces and new fan bases to the role.
Are sales of souvenirs and etc. taken into account with the grosses? Or is it just like tickets.
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Thanks for the info about how the various Hedwig actors generally are compensated, HogansHero.
oncemorewithfeeling and ChiTheaterFan, great points from both of you. I agree with both of you that it is pretty cool that each Hedwig actor introduces the story of Hedwig to a unique demographic.
I wonder how they'll do closing out Brandy's run in Chicago. There were 100+ tickets available for today's performance this afternoon but I checked a little while ago and there's only one seat left. I guess I'll actually have to stand with my standing room ticket. Good for them.
Edited to add: Nevermind. Just some Telecharge shenanigans.