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If you could pick one 2014 Tony nominee, who/what would you choose? |
Patrick Page for A TIME TO KILL
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
--Aristotle
I'd love to ask for a few, but in spirit of the question and limit myself to one: Brían F. O'Byrne for OUTSIDE MULLINGAR.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
Mainly because I don't think it's going to happen: IF/THEN for Best Musical.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
Jake Epstein, best featured actor
Nancy Reagan, meanest and thinnest of the first ladies moves into the white house. Yabba dabba! It's the eighties.
Updated On: 4/29/14 at 09:28 PM
Whitney Bashor
for Featured Actress in a Musical
for reasons that I have put on here in a couple other threads. Her performance of "Another Life" is stunning.
for Featured Actress in a Musical
for reasons that I have put on here in a couple other threads. Her performance of "Another Life" is stunning.


Sutton Ross
Broadway Legend
joined:7/20/13
joined:7/20/13
Broadway Legend
joined:
7/20/13
joined:
7/20/13
Norbert Leo Butz - Big Fish
Dilettante
If could allow myself a pick on the Musical side:
Jared Grimes for AFTER MIDNIGHT
Jared Grimes for AFTER MIDNIGHT
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
If/Then for Best Musical! I thought it was incredible! And that score...
"Sticks and stones, sister. Here, have a Valium." - Patti LuPone, a Memoir
Bullets Over Broadway for Best Musical
"There’s nothing quite like the power and the passion of Broadway music. "
I want to say either Daniel Radcliffe or Zach Braff. I thought both did a great job in their respective shows, and deserve nominations. However, neither of them seems to be a lock for nominations at this point.
Steven Pasquale - Bridges of Madison County - Walking out of that theater, I thought I just witnessed the Tony winners for actor and actress. - Now I"m just hoping he gets a nod.
tom2000a
Chorus Member
joined:11/10/12
joined:11/10/12
Chorus Member
joined:
11/10/12
joined:
11/10/12
I'm only picking this because I know it will never happen but I wish it would.
Best Set: The Snow Geese
Best Play: The Snow Geese
Best Set: The Snow Geese
Best Play: The Snow Geese


mjohnson2
Broadway Star
joined:11/2/13
joined:11/2/13
Broadway Star
joined:
11/2/13
joined:
11/2/13
Michelle Williams for Cabaret.
Anything regarding shows stated by this account is an attempt to convey opinion and not fact.


















joined:6/13/04
joined:
6/13/04
Posted: 4/28/14 at 9:11pm