Tazzy, I echo your sentiments on the film version of HAIR.
A great, great film...one of the best stage to screen adaptations IMO, and I really don't care that Rado and Ragni despised it. They got paid handsomely for the screen rights, deposited their hefty checks and then began to b!tch and moan.
Too bad they fail to remember that the movie got excellent reviews when it was released, but it failed at the box office because people weren't ready for it.
Time has been kind to it and it has picked up new fans along the way. Definitely a classic.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I would not define HAIR as a guilty pleasure. It's a WONDERFUL film! I love Beverly D'Angelo's rendition of "Good Morning Starshine". I like her singing voice very much, too bad that is the only song she was given to sing. Her vocal talents were put to better use a year later when she played Patsy Cline in COAL MINER'S DAUGHTER. She does a killer "Walking After Midnight".
I'm still jolted away from the moment when the Asian girl opens her mouth and out comes Betty Buckley dubbing her. At the time, people (including me) weren't familiar enough with Betty's voice, and I didn't know until much later that she had done the dubbing on Walking In Space.
But now when I watch it, it's like Patti LuPone's voice coming out of Lisa Kudrow, or something. It's pretty jarring. (Still love it, though!)
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Still get the goose bumps when Cheryl Barnes tears into "Easy To Be Hard", hers for me THE BEST recorded version of that song.
There were so many talented individuals involved in the recording of the HAIR soundtrack: Nell Carter, Ellen Foley, Ren Woods, Charlaine Woodard, Laurie Beecham, The Stylistics, Betty Buckley and a pre-Miss America Suzette Charles, who performs "Frank Mills" on the film's soundtrack album, although the song was not used in the completed film. Even Charlotte Rae got to sing "My Conviction" on the soundtrack album but again that song was not used in the completed film.
Never seen Hair the movie, but I saw the revival on Broadway. I do eventually want to see the movie though.
I definitely have no right to judge people for enjoying what are deemed horrible movies by the masses. My guilty pleasure is Xanadu. I loved the Broadway show, not knowing the movie. So of course, I was curious again. It is bad, but in a fun way. I think ABC Family was showing it one night, which is how I was fortunate to finally see it. I did buy it on DVD somewhere along the line.
"I don't want the pretty lights to come and get me."-Homecoming 2005
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To all you Hair devotees, I have one thing to say: Go start your own thread.
The only properly cast actor in the ACL movie was Vicki Frederick. She was able to capture Sheila's essence. Terrence Mann was good but his role is really a throwaway role.
Alyson Reed was probably the best non-star choice for Cassie at that time, but her performance doesn't rise to the level of Donna McKechnie or Laurie Gamache.
I didn't like Yamil Borges. I felt like screaming "Just sing the song and stop with all the silent movie faces and stupid voices." Maybe it wasn't her fault, but Nothing is a song that in order to get the payoff at the end, it has to be sung in earnest.
Audrey Landers missed the point of the character Val. Val is not a sexpot. Landers didn't play Val's bravado. I wish they would have considered Vicki Lewis for that role. She would have delivered a more solid Val.
Michael Douglas, what can you say? He was there to have a star name above the title. Zach's a difficult character because in the material he's an unseen presence.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
I love Hair -- the only reason I own this movie is due to it coming (at least in Canada) in a three pack with DeLovely and Hair ($9.00 at the supermarket.) As a kid I remember though that my cousins LOVED it -- and we had to watch it with them more than a few times. I was obnoxious enough even at that age and had read, that it was a horrible movie, and only saw the revival on tour 6 or so years back, so gave the movie a second chance....
Yeah. The French and Saunders clip pretty much sums it up. It's too bad considering the movie Bennett had planned when the studio even gave him his own office.
Hair is a brilliant adaptation of a stage anchored musical, can still feel the chills it gave me the first time I saw it in a movie house. I thought Little Shop of Horrors was a pretty good film adaptation and remember loving the Godspell film, need to give that one a rewatch. A Chorus Line and The Wiz were pretty awful.
Both HAIR and A CHORUS LINE were movies my family rented regularly from our local library when I was very young and just getting into musicals. It wasn't for a very long time that I realized how different they were from their stage counterparts, and I still have a certain fondness for them.
A CHORUS LINE is often so deliciously bad that I cannot stop watching, especially during "Let Me Dance for You" with Cassie's dance outbursts and those corny flashbacks.
Beverly was at the Victoria film festival here a few years back, and my volunteer job was to get her at the airport and escort her to her lecture. An *amazingly* kind and generous woman - she had nothing but nice things to say about Hair. She seemed to be, at that point anyway, not really interested in doing much more movie work but said she would like to do more stage work again.