I was looking over Anne Nathan's credits the other day and saw that she played Emma Goldman in both the ASSASSINS revival and RAGTIME (where she was the understudy in the original cast).
Has anyone else ever played the same role on Broadway in two completely different shows?
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
I've always been a little cynical about that distinction, best12, because when I saw "Angels" prior to its NY opening it was still being treated as one play.
But you are technically right, and in that case the entire casts (Stephen Spinella, Joe Mantello, Marcia Gay Harden, David Marshall Grant, Jeffrey Wright, Kathleen Chalfant, Ellen McLaughlin and Ron Leibman) of "Millennium Approaches" and "Perestroika" played the same roles in two plays. Ditto their replacements (including Cynthia Nixon, Cherry Jones and F. Murray Abraham) and the cast of the Signature revival (Christian Borle, Zachary Quinto, Billy Porter, Frank Wood, Robin Bartlett, Robin Weigert, Bill Heck and Zoe Kazan).
To be a little more clear, I meant the same actor playing the same role in two shows written by different people.
Most of the examples being mentioned are in sequels or companion pieces, but what Nathan accomplished is much more rare.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
Ken Howard played Thomas Jefferson in 1776 and 1600 Pennsylvania Avenue.
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Is it more rare? Sure, but I'm not seeing how it's an accomplishment. I can't see how that many folks would be striving to play the same role in more than one production.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
You're talking about historical characters. I don't know of many examples of this on stage, but Peter O'Toole playing King Henry in the screen versions of both BECKET and THE LION IN WINTER does come to mind.
William Daniels played John Adams in 1776, and in the tv movie The Rebels.
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"Is it more rare? Sure, but I'm not seeing how it's an accomplishment. I can't see how that many folks would be striving to play the same role in more than one production."
O'Toole's Henry II in both Becket and Lion in Winter were certainly an accomplishment.
And the same can be said for Glenda Jackson as Elizabeth I in Elizabeth R and Mary Queen of Scots.
And I wouldn't be surprised if Helen Mirren's Elizabeth II in The Queen and The Audience is also an accomplishment, although I've only seen her in the first, in that it is the same author. Updated On: 11/2/13 at 04:06 PM
On screen, Bette Davis played Elizabeth I in both ELIZABETH AND ESSEX and THE VIRGIN QUEEN. Also, Anthony Quinn and Lilia Skala played Zorba and Hortense in both the film, ZORBA THE GREEK, and the later musical adaptation, ZORBA (different enough to qualify set guidelines).
Henrik -- What exactly is the accomplishment? Performing the same character in different productions, or the quality of each individual performance? I would guess it's the latter...which is different than to what, I assume, the OP referred.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
Does anyone remember anyone doing Falstaff in MERRY WIVES and HENRY IV in rep? Orson Welles, maybe? IBDB doesn't show much detail for productions of the former, so I may be thinking of London rather than Broadway, but this rings a bell for me.
John McMartin has played the male lead in both dramatic and musical versions of THE VISIT. His performance in the New Phoenix Rep production opposite Rachel Roberts was one of the most harrowing and brilliant performances I've ever seen.