Che in Evita

Musicaldudepeter
#1Che in Evita
Posted: 9/27/13 at 1:32pm

Is Che a leading role or supporting role ultimately in EVITA?

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N2N Nate.
#2Che in Evita
Posted: 9/27/13 at 1:39pm

He can be interpreted both ways. Personally, I would say he is leading.


So Lauren Bacall me, anything goes! *wink*

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gavyj
#2Che in Evita
Posted: 9/27/13 at 1:41pm

Patinkin won "Best Featured Actor..." I personally consider Che and Eva the leads and Peron, Mistress, and Magaldi (?) supporting.

If I were to guess, they put Patinkin in as "Featured" to give him a better chance at winning. But I could be wrong.

Musicaldudepeter
#3Che in Evita
Posted: 9/27/13 at 2:03pm

I think Patinkin would still have won in lead, although it's very rare to get a best actor and actress win in the same year with the same show for Tonys, Oscars etc., in spite of some exceptions. Plus wasn't Patinkin up against his co-star Bob Gunton for featured?

It reminds me of the MC conundrum in Cabaret. Che, like the MC is the narrator-type character, and originally both were perceived to be featured or supporting but nowadays, the tendency is to call them leading roles.

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The Glenbuck Laird
#4Che in Evita
Posted: 9/27/13 at 3:28pm

Che as in Che Guevara or Che as in mate?

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artscallion
#5Che in Evita
Posted: 9/27/13 at 3:34pm

The character is simply Che. Patinkin played it as Che Guevera, and some lyrics support that choice. Others, including Ricky Martin in the recent revival, have played it simply as Che, an everyman.


Art has a double face, of expression and illusion.

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darquegk
#6Che in Evita
Posted: 9/27/13 at 3:41pm

The concept album was explicitly Che Guevara- a subplot cut from almost all stage versions is his failure as a research chemist-turned-entrepreneur. When this plot was cut, the character was retooled to be both Guevara and not Guevara. The use of "Che" as a name is a pun on the ambiguity of the character.

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lovebwy
#7Che in Evita
Posted: 9/27/13 at 4:16pm

I got into a terrible fight over this on ATC. There were dummies there who INSISTED the character NEVER had anything do with Che Guevara. It is made explicitly clear on the concept album that it IS Guevara, to the point where he sings a song about developing a new insecticide (which Guevara did).

I'm not saying that certain directors haven't gone against that, but the original intent from Rice was clear in the lyrics.

The lady's got potential, she ought to go far.
She always knows exactly who her best friends are.
The greatest social climber since Cinderella.
But Eva's not the only one who's getting the breaks;
I'm a research chemist who's got what it takes,
And my insecticide's gonna be a bestseller.

Yeah, just one blast and the insects fall like flies
Kapow! Die! They don't have a chance!
In the fly-killing world it's a major advance!
In my world it'll mean finance:
I'm shaping up successful Capitalist-wise!

Updated On: 9/27/13 at 04:16 PM

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darquegk
#8Che in Evita
Posted: 9/27/13 at 4:33pm

During the original version of Waltz for Eva and Che, their confrontation over Che's perpetual hounding of the Perons to endorse his insecticide comes to a head and Evita tells him to go elsewhere and become some leader or great man where she won't have to deal with him- explicitly "causing" his origin as Che Guevara. This was cut as well.

AEA AGMA SM
#9Che in Evita
Posted: 9/27/13 at 5:01pm

"If I were to guess, they put Patinkin in as "Featured" to give him a better chance at winning. But I could be wrong."

At one point in the history of the Tony Awards producers did not have the option to petition for a category change and the billing rules were absolute. I don't know when the option to petition was created, but that could be why Patinkin was Featured (I also don't know what the billing was for the original production, so I'm just speculating as to reasons why he would have been in that category and not leading).

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theatreguy
#10Che in Evita
Posted: 9/27/13 at 5:12pm

AEA - everyone was below the title for the original production of Evita.

http://www.playbillvault.com/Show/Detail/Whos_who/12263/14519/Evita

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givesmevoice
#11Che in Evita
Posted: 9/27/13 at 7:54pm

Patinkin was nominated for Leading Actor for the Drama Desks and lost to Jim Dale, so is it possible the producers of Evita didn't want him in leading for the Tonys, thinking he would lose to Jim Dale?


When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain. -Kad

Theater'sBestFriend
#12Che in Evita
Posted: 9/27/13 at 9:15pm

My understanding is that "Che" is a typical regional idiosyncratic expression of Argentinian Spanish meaning "guy" (sort of the way Californians say "dude"). The character written by Tim Rice was supposed to be a working class Everyman, one of the descamisados (shirtless workers) who formed the political base of Peronism.

The interpretation of Che as Che Guevara was a very specific directing choice of Hal Prince. It made complete sense for the 1970's -- the Soviet Union still existed, Cuba was its foothold, and Latin America was an arena (along with Indochina, the Middle East, and Africa) where the Cold War powers were vying to establish spheres of influence. It lent natural dramatic bite to the story, although it was a complete historical anachronism -- Che Guevara and Eva Peron never met in reality. In that interpretation, they were personifications of the geopolitical struggle of left and right.

Michael Grandage is on record as saying his directorial vision was to go back to the Everyman concept of the creators. It makes complete sense -- the story of charismatic celebrity politics and its relation to the 99%, and the way Argentinian history is a mirror of current events, is much more relevant to our time. We've made our own movie actor our national U.S. leader since the original production, something that would've seemed like a joke at the time. It would be strange to interpret Che as Che Guevara now.

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kdogg36
#13Che in Evita
Posted: 9/27/13 at 9:52pm

The character written by Tim Rice was supposed to be a working class Everyman, one of the descamisados (shirtless workers) who formed the political base of Peronism.

Take a look at lovebway's comment above - the lyrics from "The Lady's Got Potential" clearly indicate that the authors had Che Guevara in mind at that stage of the game. Obviously that's been toned down or eliminated - is the "from 17 to 24" line still in there? - but I think it's difficult to argue that the bizarre insecticide tangent is just a coincidence. :)

Theater'sBestFriend
#14Che in Evita
Posted: 9/27/13 at 10:32pm

Tim Rice has said in interviews etc. his Che concept was an Everyman, and the Che Guevara interpretation was Hal Prince's innovation.

trpguyy
#15Che in Evita
Posted: 9/28/13 at 1:27am

Re: the original question - Che is definitely the male lead.

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kdogg36
#16Che in Evita
Posted: 9/28/13 at 7:30am

Tim Rice has said in interviews etc. his Che concept was an Everyman, and the Che Guevara interpretation was Hal Prince's innovation.

It's certainly possible he said this, but it's equally certain that it's not the truth. :) Are you aware of the song "The Lady's Got Potential" from the concept recording? The lyrics unmistakably refer to (weird) details from Che Guevara's life in Argentina, and this was before Hal Prince got involved.

Musicaldudepeter
#17Che in Evita
Posted: 9/28/13 at 3:48pm

Forgot about Jim Dale in Barnum. Think he was unbeatable that year for the Tony. Patinkin was wise to stay in featured.

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EponineAmneris
#18Che in Evita
Posted: 9/28/13 at 5:15pm

Che as first conceived, and especially as portrayed by Mandy Patinkin, was intended to be Che Guevera. His costume, the beard, the lines in the concept version of THE LADY'S GOT POTENTIAL...

It was really only in later productions, mainly right before and after the movie version with Antonio Banderas, did he really become more of just the "every man" non-Guevera Che.


"TO LOVE ANOTHER PERSON IS TO SEE THE FACE OF GOD"- LES MISERABLES--- "THERE'S A SPECIAL KIND OF PEOPLE KNOWN AS SHOW PEOPLE... WE'RE BORN EVERY NIGHT AT HALF HOUR CALL!"--- CURTAINS

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darquegk
#19Che in Evita
Posted: 9/28/13 at 6:04pm

I suspect that early on, in the concept album days, the Che character was unabashedly Guevara... until the creatives started realizing that, between the anachronism and frankly absurd subplot he was given, the Guevara character didn't work. By the stage premiere, the character was stuck somewhere in the middle- a man who looks like and hints at being Guevara, but does not self-identify as such or especially act like Guevara. By the next round of productions the Guevara-ism was already almost gone, and Banderas's performance in the film completed the cycle that ended the transformation from Che Guevara to Che Argentina.

Theater'sBestFriend
#20Che in Evita
Posted: 9/29/13 at 2:56am

"It's certainly possible he said this, but it's equally certain that it's not the truth... The lyrics unmistakably refer to (weird) details from Che Guevara's life in Argentina, and this was before Hal Prince got involved."

If Tim Rice wrote Che to be Che Guevara, how come he didn't call him "Che Guevara," as he calls Evita Peron "Evita Peron"? And why would the author lie about his intention? Is there some recondite clue about that as well in the lyrics?

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kdogg36
#21Che in Evita
Posted: 9/29/13 at 12:33pm

Well, he might simply have misremembered rather than lied. In any event, as others here have noted, the evidence from the concept recording is overwhelming. Whether or not the authors intended for Che to be Che Guevara, they clearly had him in mind when they created the character.

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darquegk
#22Che in Evita
Posted: 9/29/13 at 12:57pm

Also, keep in mind the rapidly shifting cultural context and mainstream views of Guevara. In popular culture and academic study, Guevara has metamorphosed back and forth between saintly martyr for freedom, bloodthirsty tyrant, harmless pop-cultural figurehead, and dangerous fanatic. Guevara's swing back and forth between being an idealized and demonized figure in the understanding of millions, while still being almost as recent as the Vietnam War, makes him a dangerous figure to have as the protagonist of a politically ambiguous musical. Changing him to the personification of Argentina, rather than the man who may or may not have been worse for South America than the Perons, brings a level of stability to the character that Guevara would not.

Theater'sBestFriend
#23Che in Evita
Posted: 9/30/13 at 12:23am

"Well, he might simply have misremembered rather than lied."

So lemme get this straight: you contend that the author wrote a historically specific musical in which he identified the historical figures by last name, but decided for no particular reason to single out one character to not use his identifying last name. His first name is regional slang for the character type on which the political movement that's depicted is based, but secretly he's not that, he's actually someone we're all supposed to know based on hints. The author did this just for fun. Then he said he didn't. Because he forgot.

Cool theory.

Theater'sBestFriend
#24Che in Evita
Posted: 9/30/13 at 12:29am

Oh wait - I forgot: three and a half decades later, when the show was revived on Broadway, a new director, under license from the original authors, said he was going back to the authors' original intent by directing Che as an everyman, and the authors stood by and let him say this and conceive the revival that way even though it's not true. Because that would blow the secret that you figured out from the hints on the album. Or because they forgot.

Is that right?