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If you could go back in time to see one musical which one would it be? |
CarlosAlberto
Broadway Legend
joined:6/29/10
joined:6/29/10
Broadway Legend
joined:
6/29/10
joined:
6/29/10
PROMISES, PROMISES at the Shubert Theater with the original cast. I was a little baby when it opened. So even if my mommy and daddy would have brought me to see it I wouldn't have been able to remember any of it. Sad but true. 
"It does me no injury for my neighbour to say there are 20 gods or no god. It neither picks my pocket, nor breaks my leg."
-- Thomas Jefferson
Wow. Threads like this make me feel so old...
If I could travel back in time, it would be to see the original production of STRIKE UP THE BAND in 1929. And of course, the advantage of that is that in that year there were probably 15 or 20 other shows playing at the same time worth seeing, so the trip would be quite the fest.
@ Erin: You cannot possibly imagine how freaking gorgeous the original FOLLIES was. One of the jokes about the show is that Florence Klotz (costumer) used every bugle bead in Manhattan, and Aaronson's set was perhaps the most amazing machine for performers I've ever seen. When the lace fans dropped for the transition to Loveland, it was straight out of nowhere and jarred you in your seat, and the Mirror number was a genuinely scary experience: no one has done it better since. It's a shame that this production among all is not preserved at the Library of Performing Arts. VIA GALACTICA -- oh my god, what a howl. The trampolines were the best part of the show.
If I could travel back in time, it would be to see the original production of STRIKE UP THE BAND in 1929. And of course, the advantage of that is that in that year there were probably 15 or 20 other shows playing at the same time worth seeing, so the trip would be quite the fest.
@ Erin: You cannot possibly imagine how freaking gorgeous the original FOLLIES was. One of the jokes about the show is that Florence Klotz (costumer) used every bugle bead in Manhattan, and Aaronson's set was perhaps the most amazing machine for performers I've ever seen. When the lace fans dropped for the transition to Loveland, it was straight out of nowhere and jarred you in your seat, and the Mirror number was a genuinely scary experience: no one has done it better since. It's a shame that this production among all is not preserved at the Library of Performing Arts. VIA GALACTICA -- oh my god, what a howl. The trampolines were the best part of the show.
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joined:8/5/11
joined:
8/5/11
Posted: 4/3/13 at 8:07am