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Iconic dance numbers from the legendary choreographer's. |
If you're interested in tap, there's the opening number for 42nd Street. Also, Turkey Lurkey Time.
"I saw Pavarotti play Rodolfo on stage and with his girth I thought he was about to eat the whole table at the Cafe Momus." - Dollypop
I don't know how many dancers you have, but I have always loved the Michael Kidd choreography for "The Crap Shooters' Dance" in Guys and Dolls.
Did you know that every day Mexican gays cross our borders and unplug our brain-dead ladies?
The dance section of The Telephone Song from Cabaret
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
Too Darn Hot from Kiss Me Kate
There's Gotta Be Something Better Than This from Sweet Charity
There's Gotta Be Something Better Than This from Sweet Charity
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
Robert Alton's tap choreography is phenomenal for Anything Goes.
What about starting with the title song?
What about starting with the title song?
Scratch and claw for every day you're worth!
Make them drag you screaming from life, keep dreaming
You'll live forever here on earth.
That Can Can number was amazing.
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
America - West Side Story
Rich Man's Frug - Sweet Charity
Forget About the Boy - Thoroughly Modern Millie
A Secretary is Not a Toy - How to Succeed
All That Jazz - Chicago
Shoeless Joe - Damn Yankees
I Got Rhythm - Crazy For You
Bottle Dance - Fiddler on the Roof
Hollywood Production Code - Hollywood/Ukraine
Aggie Song - Best Little Whorehouse
Who's That Woman - Follies
Solidarity - Billy Elliot
For the Longest Time/Uptown Girl - Movin' Out
Rich Man's Frug - Sweet Charity
Forget About the Boy - Thoroughly Modern Millie
A Secretary is Not a Toy - How to Succeed
All That Jazz - Chicago
Shoeless Joe - Damn Yankees
I Got Rhythm - Crazy For You
Bottle Dance - Fiddler on the Roof
Hollywood Production Code - Hollywood/Ukraine
Aggie Song - Best Little Whorehouse
Who's That Woman - Follies
Solidarity - Billy Elliot
For the Longest Time/Uptown Girl - Movin' Out
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
ARTc
Stand-by
joined:11/4/11
joined:11/4/11
Stand-by
joined:
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joined:
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What a fun class I suspect you teach. I think its wonderful that you honor the amazing work of the Broadway choreographers.
I know they already learned Steam Heat, but Who's Got the Pain is great - better, I think.
I know you.
I know you.
I know you.
I don't know if this is "iconic," but it's a wonderful Joe Layton ensemble number from GEORGE M!
"Popularity"
"Popularity"
Cheyenne Jackson tickled me. AFTER ordering SoMMS a drink but NOT tickling him, and hanging out with Girly in his dressing room (where he DIDN'T tickle her) but BEFORE we got married. To others. And then he tweeted Boobs. He also tweeted he's good friends with some chick on "The Voice" who just happens to be good friends with Tink's ex. And I'm still married. Oh, and this just in: "Pettiness, spite, malice ....Such ugly emotions... So sad." - After Eight, talking about MEEEEEEEE!!! I'm so honored! :-)
I've always thought of The Shriner's Ballet from Bye Bye Birdie as pretty iconic, at least to me. I don't know if it would be best to do with a dance class though. The Small House of Uncle Thomas from King and I is also one I consider pretty iconic.
Wow! Thanks everyone for the suggestions! I have a lot of work to do now!!!
PJ- I knew I could count on you! I LIVE for that can-can number!
AEA- this class has 17 dancers ( 13w 4m) ages 14-18.
I would love to teach them a tap piece but the class I've been doing this in is a technique class and not all the dancers tap as well.
Matt those were some great suggestions as well! I haven't done solidarity but I did teach my younger girls ( 10-14 company) the electricity choreography. Also you mentioned movin out and I have been teaching myself all of its still rock and roll to me and I though goodnight Saigon might be a challenging piece to teach as well.
There are so many options here to chose from! Every dance I already taught them I already knew from performing myself or being taught the combo from one of my past teachers/mentors. So this will be a challenge, but an exciting one for sure!!
Thanks so much!!!
PJ- I knew I could count on you! I LIVE for that can-can number!
AEA- this class has 17 dancers ( 13w 4m) ages 14-18.
I would love to teach them a tap piece but the class I've been doing this in is a technique class and not all the dancers tap as well.
Matt those were some great suggestions as well! I haven't done solidarity but I did teach my younger girls ( 10-14 company) the electricity choreography. Also you mentioned movin out and I have been teaching myself all of its still rock and roll to me and I though goodnight Saigon might be a challenging piece to teach as well.
There are so many options here to chose from! Every dance I already taught them I already knew from performing myself or being taught the combo from one of my past teachers/mentors. So this will be a challenge, but an exciting one for sure!!
Thanks so much!!!


WestVillage
Broadway Star
joined:7/20/05
joined:7/20/05
Broadway Star
joined:
7/20/05
joined:
7/20/05
The Riviera Rage from Irene, choreo: Peter Gennaro
Tap Dance section of I Want to Be Happy from No, No, Nanette; choreo: Donald Saddler
The Waiters Gallup from Hello Dolly, choreo: Gower Champion
BTW, Popularity from George M! is an amazing number! I did this show years ago, directed by one of the chorus boys from the OBC, and this number starts out in rehearsal clothes and dancers keep adding layers as the dance goes on, ending up in full performance costume by the end of the number.
Tap Dance section of I Want to Be Happy from No, No, Nanette; choreo: Donald Saddler
The Waiters Gallup from Hello Dolly, choreo: Gower Champion
BTW, Popularity from George M! is an amazing number! I did this show years ago, directed by one of the chorus boys from the OBC, and this number starts out in rehearsal clothes and dancers keep adding layers as the dance goes on, ending up in full performance costume by the end of the number.
I almost forgot:
Farandole and Simply Irresistible from Contact.
Farandole and Simply Irresistible from Contact.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian









joined:5/7/11
joined:
5/7/11
Posted: 1/22/13 at 11:41pm