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Chicago the Musical Appreciation Thread |
This is interesting. Naomi C. Walley, one of the two Velma Kelly understudies, is scheduled for a week of performances in that role: Aug. 6- Aug. 12, 2018. https://www.telecharge.com/Broadway/Chicago/Overview (The other Velma understudy is Donna Marie Asbury. )
Dallas Theatre Fan said: "Have any of you read Ethan Morddon's book, "All That Jazz: The Life and Times of the Musical Chicago"? I really want to read it but, none of the libraries around me has it so, I might buy it on Amazon, which is not cheap. What are your thoughts about the book and is it worth the money.?"
I'm currently reading it! If you like Mordden's work, you will enjoy this book. It's not primarily focused on the musical itself, but the evolution of how we know Chicago today. It goes from a brief history of Chicago, the city, as well as the scene and attitudes in America during the 1920s. To the play Chicago, etc. etc.
I recommend it.


joined:11/4/04
joined:
11/4/04
There is a new "understudy" for Mama in the chorus and Leslie's "vacation" has been extended.
I'm curious who has been conducting the band lately. I know that Robert Billig was the conductor during the most recent tour. I had a brief chat with him. He seemed real nice and down to earth. The Playbill vault lists long time veteran Sharon Moore, Donna Marie Asbury and Naomi C. Walley (also Velma u/s). as Mama understudies.
That's actually an error by Playbill Vault. Moore only covers for Mama when one of the two covers is on vacation. Moore covered Mama and Velma back in the day and when she was on tour.
I remember Nicole Bridgewater used to cover for Mama, but she's not part of the cast anymore.
The book takes a while to get to the musical, because it starts with the city and then the twenties as a decade. Then there's the Chicago play and the two movies.
But once it reaches the musical, it really gets into it--the writing, the backstage, Fosse's anger, Verdon's last hurrah on Broadway. There's an analysis of the show that moves from scene to scene and song to song that sort of recreates it for you, explaining all the underpinnings, character motivations, Fisse staging tricks, etc.
The author's style is quirky and often funny, very unlike the other writers in this field. Very opinionated and spirited. Some readers find him too sophisticated. He breaks rules.



joined:3/10/13
joined:
3/10/13
Posted: 8/3/18 at 2:30pm