This is correct. At that time Tarantino had Reservoir Dog and Pulp Fictions as hits (and Jackie Brown, a lesser hit), but he wasn't QUENTIN TARANTINO yet."
Sweets, Tarantino was already THE Oscar winning Quentin Tarantino when he chose to slum it as an actor in the 1998 Broadway revival of WAIT UNTIL DARK. I was around then so I’m quite keen of all the industry accolades he received with 1994’s PULP FICTION. It was one of the major films that awards season. He and Tomei were the big name showcases for this 1998 Broadway revival.
Plannietink08 said: "Katherine Hepburn in a musical about the life of Coco Chanel was incredibly surprising to read."
And she gave an incredible performance as well. For my money, she should have won the Tony that year, but Bacall's win was a good one...should have been a tie. In the case of Coco, Hepburn was the entire show, even if George Rose was in it and Rene A. won a (not particularly deserved) Tony. With Applause, Bacall was not the entire show, although she was terrific.
Jake Gylllenhaal: A goofy nerd with a fine singing voice in 'Little Shop of Horrors; an intense artist with a wonderful singing voice in 'Sunday in the Park With George', and a wry everyman in'Seawall / A Life'.
Not so much Broadway, as Broadway musicals but Anthony (Pyscho) Perkins was in two musicals, Sondheim’s Evening Primrose and Frank Loesser’s Greenwillow.
I have the Greenewillow cast album, not bad actually....
"when I’m on stage I see the abyss and have to overcome it by telling myself it’s only a play." - Helen Mirren