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AIN'T TOO PROUD Previews |
After reading the stuff on here I went into it tonight with zero expectations and had a good time. It’s not an amazing show but it does what it sets out to do - tell the story of The Temptations to large groups of tourists without pretending to be anything other then it is. And as far as jukebox musicals go, I’ve seen FAR worse.
An electrifying prod. well-designed & ready to entertain & inform audiences for years to come! I went into this not knowing much about the group & left knowing a lot more. I must admit I sang along with "Just My Imagination" & feeling a bit frustrated with the awful title which I translate as "Ashamed: The Temptations MOTOWN Jukebox Musical" - but SO MUCH is working here! "If You Don't Know Me By Now" stands apart as the most fully realized song in the score. Sure wish MORE of the shows score could have worked dramatically in that way? I loved seeing the performances close-up but also was able to move my seat & see all the turntables & conveyor belt from above in the mezzanine. Best seats may be back elevated orchestra? I loved the touring bus scenes & the super strong performance from the actress playing Mrs. Williams.
Sounds like not one thing has changed since the world premier I attended in Berkeley, CA. Altho the cast works their tails off (and are very good) and the songs are great to hear (however brief some of them are), the book is the killer for this very slick show (Jersey Boys production design cloned). Audiences may eat it up, but a long run may be very iffy. Additional touring/regional productions in the future should do very well at the box office.
I was there last night
This is definitely Jersey Boys meets Summer. That said, I enjoyed both of those shows and I had a fun night last night.
I agree that there are parts that are glossed over or that feel rushed but overall the book felt cohesive and pretty easy to follow. Just know that it primarily focuses on the early years of the group.
I met all 5 principals at the stage door as well as some of the ensemble. Everyone was incredibly sweet and grateful. They also all said to come back again.
A few logistical notes. This theater is small and very tight. I was in Row P Orchestra and my knees are still sore this morning. I am 5 ft 8. Every row up until Row P is on the same level. There is a step up starting with Row R. The woman next to me had to move because she couldn't see over the guy in front of us. Also, anytime someone had to get in or out of the row, we all had to exit to the aisle to allow them to pass. The couple next to me arrived at 8:45(!) and we all had to stand up, walk out, and let them enter the row while the show was happening.
Intermission needs to be buttoned up better. There were 3 warnings before they started Act 2. I want to say intermission ran close to 25-30 min last night. Show started at 8:07 and I walked out of the theater at 10:40.
I definitely agree about the lively crowds. The row behind me was singing along to every single song and talking at times as well. One lady was talking back at several parts of the show. Also, the crowd applauds almost every song and you could tell the cast wasn't ready for that. So hopefully, that will be something they work on before opening night.
Everyone around me and at the stage door loved the show. It was definitely a good time for me as well. I would go back again just to support this stellar cast. Not perfect by any means but still fun.
natashalost said: "Can someone who was there last night/tonight please post who the understudies are? Playbill doesn't seem to list them on their website yet."
Otis Williams: Marcus Paul James, Jelani Remy, Curtis Wiley
Paul Williams: Shawn Bowers, Curtis Wiley
Melvin Franklin: Shawn Bowers, Marcus Paul James
Eddie Kendricks: Jelani Remy, Curtis Wiley
David Ruffin: Saint Aubyn, Marcus Paul James, Jelani Remy
Jordan Catalano said: "Last nights intermission was around 16 minutes long. Let’s not go crazy. "
There is no need for your going crazy comment.
The usher nearest my seat stated that 1st Act was 1 hour 5 min and 2nd Act was 55 min. Show started at 8:07pm and ended around 10:40pm. That’s longer than a 16 min intermission.
RWPrincess said: "Jordan Catalano said: "Last nights intermission was around 16 minutes long. Let’s not go crazy. "
There is no need for your going crazy comment.
The usher nearest my seat stated that 1st Act was 1 hour 5 min and 2nd Act was 55 min. Show started at 8:07pm and ended around 10:40pm. That’s longer than a 16 min intermission."
The intermission clocked in at 16 minutes. The additional time for one or both acts lasted longer than what the usher shared.
High school Algebra taught me well.
Seats were Orch, Row D, far left. Partial view. Couldn't see the left of the stage or the back (is that upstage?) Great to see the performers up close though, we eyed 2 empty seats in center row F and moved there at intermission. We did not realize that we were missing the backstage lighting designs which really really added to the experience. I would think standing room would be great as well if looking for reasonable price.
Saw it tonight and while in the morning I’m sure I’ll be nitpicking, right now I’m on a high. It was really a blast. I was very worried after the sh*tshow that was Summer, but a standout cast, insanely exhausting choreography, excellent song arrangements and sound, and a slick production made the evening fly. Could we all have as cool as introduction as Ephraim Sykes?
Yes, I was annoyed by the side trip into “Motown: This Was Also Going On The Musical” and I go in expecting that any of these bio musicals is going to be an annoyingly quick trip down through all the career highlights, but telling it through Otis’ eyes gave the show the heart and humor that Summer desperately needed.
I’m sure the critics will be dismissive, but I expect it to have a decently healthy run, the crowd was hooked from the start and it’ll have good word of mouth.
"Hey little girls, look at all the men in shiny shirts and no wives!" - Jackie Hoffman, Xanadu, 19 Feb 2008
Go and enjoy
I saw this Monday evening and had a good time!
Much of the audience, especially the woman next to me, responded to the musical numbers as though they were seeing the real Temptations, having near-spiritual experiences. I thought such a thing would be distracting but I actually found it amplified my own experience.
It's also interesting to have learned yesterday that for Pipeline at Lincoln Center, Dominique Morrisseau (who also wrote this) put an insert in that Playbill that basically said the audience is allowed to respond to the show. I didn't see the same insert in ATP's, but knowing that's her mentality on inviting the audience in to feel comfortable - that was nice. :)




















joined:5/27/14
joined:
5/27/14
Posted: 3/1/19 at 11:23pm