CreatureKitchen said: "I don't think anyone is questioning whether a black man from Harrisburg going to Berlin to find himself makes sense. That makes perfect sense, and there was a diverse array of foreigners coming to Berlin at that time. The big leap is Cliff's relationship with Ernst. Why would Ernst, a Nazi, not only immediately befriend a black man with no reservations, but also trust him with important errands and information? Why would he allow himself to be taught En
Zeppie2022 said: "I have to admit I keep laughing at all of the comments about "those arms". My goodness, have you all never seen a pumped up guy before in your life. Obviously Corey Cott hits the gym, good for him. I get some of you were having fun with those comments but still it is really tacky IMO. Part of me also wonders the comments some of you would make if some guys made similar comments about a body part of a good looking woman. I have a feeling you would be c
The critics saw right through the smoke and mirrors of this production. It's trying to be "cool and edgy". It is neither. I'm glad Neuwirth and Skybell escaped the mess unscathed.
MagicalMusical said: "Kad said: "Even though the film as a whole doesn’t cohere, I can’t really bring myself to dislike it. The individual musical numbers are all incredible. The art direction and conception of anOz/NYC hybrid is genuinely brilliant and realized extremely well- it’s incredibly specific, rooted in Dorothy’s character and the experience of urban Black Americans at the time, and has a point of view.
I haven't purchased tickets to the new revival either. Not only because I abhor the recording but I am over this need for every other revival to subvert the material and try to top one other in the sleazy/shock department. It's just oh so very boring.
I'm trying to figure out why a topic on film is on the main Broadway message board and not on the off-topic message board, and as much as I love the Fab 4...four separate films is so excessive IMO.
Melissa25 said: "I was actually very surprised to see Vanessa on a recent episode of Name That Tune where she won a respectable sum for Musical Theater scholarships to her alma mater Syracuse University. I have been a fan since The Right Stuff and Sweetest Days albums. She’s a star. I am very happy with this casting."
You must be my spiritual twin. I've loved Vanessa forever and a day and those two albums along with her stellar Th
"Exploring the Myth of Cabaret" - after watching this video, what I want to see now is a reproduction of the original 1966 Harold Prince staging...now THAT would be revolutionary.
FosseTharp said: "WestEndGal said: "KevinKlawitter said: "That's a great cast. Goes to show how respected Dianne Warren is.
EDIT: Okay, what the hell...JERRY BRUCKHEIMER is a character in this show!?!"
Didn’t she write “I Don’t Wanna Miss A Thing” from Armageddon?! Just imaginehow overwrought and hammedup a MT singer singing that song is gonna be, lol!"
Are the same people who are "reporting" that Audra McDonald is playing "Mama Rose" in GYPSY, the same people who reported that Rachel Zegler was going to star in the next big Broadway revival of EVITA?
hearthemsing22 said: "Jay Lerner-Z said: "A federally funded “national theatre” would be the perfect fit for a show like this. Education being the priority, not entertainment or profit. Buses of school kids brought in at a doable group rate to help them understand. A public service.
Ashley Wool is right."
Please tell me school groups are still coming to Broadway/Off-Broadway shows?? They still do that right??"
Musicaldudepeter said: "No, no, no... I'm aware of the Baranski Name from many years ago. But there was a rumor/cryptic message rumor from one or two years ago where it said that "two HBO sisters" would star in an upcoming Broadway mounting of MAME. I don't know if it was a Rudin-related project which may explain the delay ... but ... anyone know anything??"
If this rumor was from one or two years ago and nothing has come of it since then I think it
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