According to what is writ here, I feel the monkey should do what it's paid to do, the projectionist kept on the payroll, the leads and ensemble given a long vacation, and the male puppeteers to nightly do the shirtless 'Cell Block Tango [or was it Big Spender?] as done as a one off in Melbourne.
I think a cast member might wish to be in a show that was more successful, like a waiter waiting for customers and looking longingly at the full house opposite.
Every show is in competition with each other no matter whether it be play or musical or opera or ballet.
It is the public that decides where their money goes--again with the restaurant idea--I look down the menu, decide on the steak, and all the other choices remain untouched by me; chosen, or not, by others or thrown ou
Tourist...'Oh look Honey, Patty Le pu..something, yes you DO know her you saw her in that lipstick show but you slept through most of it...anyway, she's now in something called Company?, whatever that means. It's supposedly by that man that writes musicals that no one can understand, so what do you think? Honey, are you listening? we have to decide today and No, Dolly has finished. Think we'll just go to Lion King again cos at least we can finish our burgers and txt the
This piece really belongs to ALW--the beast, the girl--should be operatic in it's format. I have no idea of the story except the ending[yes, I could google] or who else is in it or who does what. The end of the first act should be a partial reveal of Kong then act 2 opens with the continuation till he is full stage. A great gimmick but the music had better be better than good or the whole thing will end up in a pile of gorilla poo.
I would be curious to know, with all these minute changes being made every single night, are they rehearsed or just told what to do and expected to remember them as they perform?
Also I do check in here daily to check out all reports but reading all the changes means absolutely nothing to me 'cause without having seen this piece, I really have no idea what BC is talking about, fascinating though it all is.
Seriously, which ever one you choose, how will you know that is the right one. You might love/hate the one you chose so you will never know then if you would have loved/hated the other.
You can't have your cake etc and life is full of disappointments and surprises.
Read/listen then go with your gut and too bad if your choice stinks, you've had a night out and something to discuss.
Of course one is about a prostitute who actually doesn't, and the other is about
I have asked this before; I LOVED Dustin Hoffman's voice as Dorothy, how distinctive/different is Mr Fontana? Does he soften/falsetto and then sing in his natural high baritone?
