I'm back in again, and I'm having the same experience with it just spinning, and then saying there are no dates.
I don't understand how a major ticket retailer pre-plans an on sale date for a major event and then doesn't arrange to have the bandwidth available to handle metered traffic. You had one job...
Welp, the ATG website has already buckled under the traffic. I got a queue number below 1000, and I just got booted from the site while trying to check out.
haterobics said: "smidge said: "3 hours!!!! I didn’t know the running time would be that long and I have a ticket for Andrea Bocelli at the Met at 5:00 after a 2:00 performance of Daddy. Does anyone know if the Met Opera has an issue with late seating?"
One imagines the Vineyard may be accommodating on moving you into a different date, especially since they didn't mention the running time in advance?"
People have filled a whole thread with more than 100 posts about how she has been out sick for too many performances, and now you come in complaining that she was sick and didn’t miss the performance? Can’t win for losing...
It’s showing up on a tentative list of shows in the 2019-20 season at Woolly Mammoth Theater in DC, too. Glad to see it getting additional attention and reach.
I paid $95, but will take best offer given the short notice! It starts at 1pm and runs 8 hours including intermissions and dinner break. Message me if interested.Â
Can someone who has seen it confirm that the runtime is actually 90 minutes? I’ve had a run of very bad luck lately with shows running longer than advertised, causing me to miss my train home. Just want to make sure that I’m planning appropriately for this one if they have underestimated or misrepresented the run time. Thanks!
Regular price $117–$159. Valid for select orchestra locations for perfs through 3/30/19. Offer subject to availability. Telecharge fees apply. All sales final. Must purchase by 11:59PM EST on 1/16/19.
I saw it last week. The cancellation line started forming mid-afternoon, but about 5 people got in, including the woman who ended up in the seat next to mine. So there's always a chance.
Does anyone know why Row F for this show is non-premium, while both rows E and G are premium? Just want to make sure I'm not cheating myself of a good view to save a few bucks. Thanks!
I've now seen all three. I loved Ferryman and hated the other two. They're Sorkin and Van Hove each applying their standard lacquer to works that don't need it or benefit from it, and the plays are bad versions of the book and movie, respectively.
Mockingbird has been Sorkin-ized beyond recognition, and now plays for shock value and sanctimony, stripping all the heart and poignancy of the book. I saw it with a black friend who cried afterwards, not because the play stirred
Scott19 said: "annang said: "I loathed Mockingbird. They gratuitously use the n word (much more than the book does) just for shock value, and Sorkin plagiarizes lines from his past work. There’s a whole passagebasically lifted from a West Wing episode. See Hadestown."
Which scene are you referring to? And which episode of West Wing does it come from? Just curious."
Unless they cut it before opening, the first line the judge speaks,
I loathed Mockingbird. They gratuitously use the n word (much more than the book does) just for shock value, and Sorkin plagiarizes lines from his past work. There’s a whole passage basically lifted from a West Wing episode. See Hadestown.
In DC, the Kennedy Center and the National both always wait until April, sometimes May, to announce. It’s incredibly frustrating. I’ve asked them why they wait so long when clearly their Broadway series are set months earlier, and they’ve never replied.
How many shows have you seen this year? 128, with 7 more to go before the end of the year.
Show you liked/loved the most? In the Heights at the Kennedy Center. Angels in America. Moulin Rouge. Actually. The Story of the Gun. Girlfriend. Gem of the Ocean.
Show you liked least/hated most? Network. To Kill a Mockingbird. An Inspector Calls. An Act of God. Native Gardens.
Show that surprised you the most (good or bad)? The Jonathan Larson Project
