They have to extend or move to another theater. There's simply too much money to be made.
There will be more performances. The only question is where.
Personally, I'd like to see a move to Broadway. It can't possibly do worse numbers than some current tenants like Gettin' the Band Back Together or Head Over Heels.
Yes, it has been moved to 9/30. Just received an email from BC/EFA confirming the new date due to the UN and lack of permits being issued for the 23rd.
Got around to seeing this last night and while I'm happy some of you enjoyed the show, I spent much of my time watching in a state of complete shock.
Wow. Just wow.
If you went and enjoyed it, I'm glad that was your experience. I wish it was my experience.
Parts of the show that were attempting to be funny played as uncomfortable stereotypes. I cringed watching the mitzvah at the top of the second act. During "Jersey," I thought t
ScottyDoesn'tKnow2 said: " Nobody really cares about the Go-Gos or The Countess of Pembroke's Arcadiaenough to shell out Broadway ticket money to see a loose adaptation with the Go-Gos songs shoe-horned in."
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Famebroadway2 said: "I noticed most houses were almost sold out too. Something seems off... The orchestra is full, but cheap seats were available in the mezz for a lot of performances? Hmmmmmmm"
Yep, it doesn't add it.
Was expecting this to show up on TDF for the first couple of weeks. Went to check tickets and couldn't believe how many they claim are sold.
poisonivy2 said: "Is "10086sunset" Riedel? He seems to post his articles a lot ..."
The simple reasoning is that more times than not, the articles tend to provide good conversations and debate. Personally, I appreciate threads that discuss theater over the many threads that discuss who signs at the stage door or asking what shows someone should see when they plan to visit.
Riedel is one of the few who have actual, dedicate space to wr
“Now call me old-fashioned, which I unashamedly am, but I don’t think this development is fair to audiences. They have booked their seats in advance, paying an exorbitant price for them to see what they have been led to believe is the original cast. The very least we can do as actors is to acknowledge their presence as a privilege and take care never to abuse it.”
"
