I'm a 24-year-old financial journalist in New York City.
Shows I've seen: American Idiot American Psycho Anastasia An American in Paris Beautiful: The Carole King Musical Billy Elliot x2 (Bway & West End) Book of Mormon x3 (Bway x2 & West End) Bright Star x2 Cats x2 The Crucible x2 The Color Purple x4 Dear Evan Hansen x2 The Effect (National Theatre, London) Feast (Young Vic, London) Fiddler on the Roof Fully Committed Fun Home x4 Godspell Grace Great Comet of 1812 Groundhog Day Hair Hairspray Hamilton Heisenberg Holiday Inn The Humans The King & I The Lion King Les Mis x2 (both West End, '10, '12) The Magistrate (National Theatre, London) Mamma Mia Matilda x4 (2x on West End, '12, 2x Bway) Mary Poppins Merry Wives of Windsor (RSC) On Your Feet! People (National Theatre, London) Phantom of the Opera x2 (West End & Bway) Pippin Privates on Parade (West End) Richard III (West End) School of Rock She Loves Me x5 Shuffle Along Sweet Charity Waitress x2 War Horse (West End) Wicked x3 (Bway x2 & West End)
Olivia11 said: "I know there are union rules to consider (length of show, etc) but they either need to find a way to add more bathroom stalls, particularly on the ladies room (which I know is extremely difficult) or lengthen intermission to allow enough time to use the facilities. Period. It is a ridiculous race.every.damn.show.
I locate the bathroom on the way in so I know where I'm going, basically jump out of my seat as soon as the lights come up at inter
My question would be - were the cast members the ones that actually complained? Because if so, that means the kid was a legitimate disruption (or enough of a distraction for cast to complain), and whether he had autism or not wouldn't actually matter. Needs more context.
For my sixteenth birthday I went backstage at Mamma Mia through a donation made by my mom to Broadway Cares. They also included a signed poster, took pics of me (Polaroids) with the cast, etc. This was back in like 2008 though, not sure if they do this anymore.
GilmoreGirlO2 said: "I saw the show yesterday afternoon and, while I went in excited to see it for its creative team and Andy Karl, I didn't expect to enjoy it as much as I did. It's not groundbreaking theatre, but it's a solid musical comedy with a beautiful score and heart at the center of it.
Karl is fantastic, as usual. This was my first introduction to Barrett Doss and she won me over - beautiful voice with a charming and strong presence. I'm exci
I have 2 free tickets to the opening tomorrow that I cannot use. Anyone that wants them, FOR FREE (obviously), can message me and I'll transfer them, yada yada yada. Upset I can't make it but don't want the seats to go empty. They are in the center front mezz.
RIP
