Y'all got to realize that a lot of these things are INTENTIONALLY uncomfortable and are supposed to make the audience feel uneasy. They are depictions of imperfect human beings. The world is not so nice all the time, and it has only improved to the place we are at now. We need the reality of the past to inform us on the future.
I honestly thought Euan Morton was great as George, by far the most realistic choice to play KGIII yet. He has to work for the audience's approval, compared to the previous actors in the role so far who have all been well known. Daniel Breaker is literally INCREDIBLE as Burr. He is less physically and presence wise then Odom, Dixon and Henry, naturally, and this works so well for the part. You can clearly see in his portrayal how Hamilton would be easily more likable and popular tha
Best-Sunset Boulevard, Act One, Great Comet, Hamilton, Hedwig, Drowsy Chaperone, She Loves Me, American Psycho, Curious Incident, A View From the Bridge
Bernadette and Patti are really the preferable options here. The current queens of Broadway if you ask me. Barbara and Meryl would both be glorious, but I doubt they'd take part.
It is not the TONYs fault. It is casting directors. Tony awards are about the best performances of the season. We need to be seeing more people for all roles. That is why Oscars are actually at fault, as they have many more options to choose from. If Alana is a token role, (which it isnt, and Im sure Kristolyn Lloyd would be offended hearing that) then how is just giving an award or nomination to someone who didn't have the/one of the best performance/s of the year not a to
Bette winning Best Actress was a given- Ebersole and Patti split votes, Natasha isnt a flashy role, Eva not too high profile this season (I think she had a decent shot though) CHAVKIN. How. Direction and Orchestrations were totally Great Comet.
This was so damn intriguing. I found it really awesome that the producers though such an abstract concept would sell on Broadway, I guess the names in the cast, Sam Gold and the idea of it being A Dolls House is what sell it. Laurie Metcalf was really good, and Nora is really well written and her character is really fleshed out. Chris Cooper was good, just maybe a little subtle for the stage and the role. Condola and Jayne took advantage of every line of dialogue they had. It was enjoyable an
"I'd still be interested in seeing Gavin Creel in the role even though I thought Christian Dante White was fantastic. But I'd come back a second time to watch lead waiter Giuseppe Bausilio flip his hair around as he leaps across the stage chasing his mustache and preening. There are some superb dance performances in the show but Bausilio's was a masterful blend of comedy and technique."
So I bought a ticket on Stubhub for today's matinee for 62 plus fees. It was the best investment I've ever made on a theatrical experience. Bette Midler is everything. Sure, she has the crowd in her palm from before the first note the orchestra plays, but she lives up to expectations and shows why she has the stardom she's acquired over the years. She's got that Tony on lock. In a very large show, David Hyde Pierce brings a refreshing and unique take of Horace to the stage. He
