Peace for Mary Frances Jun 3
2018, 10:25:25 AM
I saw yesterdays matinee and thought it was fine. I disliked their previous 2 plays, Downtown Race Riot an Good for Otto, so my expectations were very low. My family has been in the situation portrayed in the play a few times unfortunately, so I connected to the struggle which may have helped hold my interest. I don’t think any of the performances were terrible but I don’t believe any of them really stood out either. I agree that j Cameron smith and Melle powers come off best. I also liked the
F#%K Ticketmaster/Springsteen Mar 28
2018, 01:15:43 PM
I had a 12 pm slot and just gave up out of frustration. Every time I entered the code that they sent me it told me it was incorrect. I tried on my laptop and mobile and got the same message every time even when I copied and pasted directly from the message
Saw the show last week and found it to be a tedious and confusing way to spend 3.5 hrs. The show is in need of serious trimming as the shows message's about the stigma of mental illness and the many ways the system fails those who need help get lost. The show has a fantastic cast who all do their best with what they are given but it is not enough to save this show. The plot is all over the place and the musical moments that take place in Ed Harris'
A very frustrating ticket buying experience but thrilled I was able to get row L on 3/31 on the aisle. I was offered front row but I was worried about it being to close. Good to know for next time that it’s a good seat
Got a code at 3:55pm and was able to get tickets for wed 10/3. Balcony row a 101-103 for 165 a piece. I wish I was able to get the cheaper seats but front row balcony on the aisle should be a good seat so I can’t complain. I wish they had a function where you could enter a price range and search available dates with that range
Saw the show for the Balcony Row A and thought it was a fantastic view. It's a great view of the stage and I was able to see facial expressions clearly
Just tried again and was finally able to get through. Just got an email as well
to those entering all information and then getting sent back to the main screen your submission did not go through. If it goes through you get a confirmation screen first then the email
nrocke731 said: "Mine got as far as letting me fill out my info and select how I wanted to see the show and how many tickets I'm interested in. After I hit submit, it "loaded" for a few seconds and then went back to the main screen. I don't know if it actually went through or not. I haven't received any kind of confirmation email or any screen like "application submitted" it just went back to the original page. Anyone else have something like this?
I have to agree with bakerwilliams that this was overall a disappointment. There are some great moments in the show but I felt like they weren’t enough to make up for the times the show dragged, particularly the painful second scene. The cast was great across the board particularly Mary Testa and Aimee Carrero who I felt were both standouts. Overall it was just meh but at 30 dollars I can’t complain that much
I am curious to know how people felt about the constant &ld
I have tickets for 9/30. The only John Patrick Shanley show I have seen is Outside Mullingar which I very much enjoyed so I am looking forward to this.
I paid $500 to for onstage seats for The Great comet as an early Christmas present for my mom and it remains one of the most thrilling theatre experiences of my life that I don't think will ever be topped. My mom ended up being in the seat where she got to go onstage to deliver the letter to Natasha so she refers to the day as her Broadway debut
My biggest issue with latecomers is where they are sitting. I have never seen someone come in late and plop down into their aisle seat, they are always smack dab in the middle of the row.
One time at Waitress a couple came in late and asked if I (on the aisle) and the rest of the row could just shift down 2 seats to fill theirs so they could take the aisle. I refused and as the scooted past me they scolded me for being difficult
I returned to the Diner tonight after seeing Sara's first show back in March and I am even more impressed than I was the first time around. Her acting has gotten much stronger and she seems at home on that stage. She sounded incredible (no surprise) and while it will probably never happen I wish that we could get a recording of Sara's "What Baking Can Do" because she really knocks that song out of the park.
Ado Annie D'Ysquith said: "Has the blue waitress costume changed? In Sara's promo photos, her outfit looked like more of a cobalt-y color as opposed to Jessie's pale blue."
I believe that was just for the promo shots. It's still the pale blue in the show
