Ain't Too Proud Officially Heading to Broadway Oct 18
2018, 01:50:46 PM
My understanfing is that it sold out its run at the Kennedy Center and that the crowds were dancing in the aisles. Critics be damned. Wicked got lackluster reviews, too.
Just to refresh my recollection of Winokur's performance, I thought Maddie was actually a better singer. I agree there were places where she was winded, but if you look at Winokur's Tony's performance, so is she. YCSTB is a really difficult song to perform. It's a modern patter song plus active dancing. You're going to run out of breath if you're not really disciplined. Perhaps with enough performances Maddie wouldn't have had the issu
AKarp2013 said: "Despite a few technical glitches and some really awkward pacing I thought tonight was by far the best out of all the live musicals. Technical wise, I thought Grease Live had the best camerawork but because Hairspray is such a joyous show with brilliant material, you are able to look past some of that.
If I recall correctly, The Wiz Live had quite a bit of sloppy camera work that was patched up for the DVD. I say it's a pretty safe bet that the cam
I think in this production in particular they're trying to cover a lot of ground. Even with the technical glitches, it's still fun. It's ambitious, so you've got further to fall, but its doing fine.
I don't think she's out of breath. I think audio is having RF drop outs from the mics. Her whole audio during Good Morning Baltimore had tons of drop outs.
The reviews seem to be more about what the show isn't than what it is. Since the reviewers don't accept the throwback contrivances of an old fashioned, sentimental musical, they cast it aside.
I find the concerns about song titling peculiar. No one announces their titles, they simply sing. The titles have no bearing on the songs in the context of the show. Now whether you feel they are well constructed, serve their purpose of advancing the plot and or motivation of the characters is another matter entirely.
Emily Paget lights it up!! She gets to sing and dance with sassy exuberance in "Another Round." It's a great scene, song, and the choreography is delightful.
mariel9 said: "If there is no excuse for an all white cast in 2016, there is also no excuse for a segregated cast of any ethnicity. Story and context has to be the voice of reason in this otherwise infinite debate.
Integrated or "color blind" casting that expands opportunities for underrepresented minorities is not remotely the same as integrating the cast of Color Purple or Allegiance. I was really put off to see an all whi
SLSigafoos said: "I'll be interested to hear thoughts on whether this show has a "defining song". A few people online who saw it at KenCen said that the music is fine but there's no one song that sticks out. Hope they're wrong, as any musical needs that to survive. Cusack has waited long enough to perform on Broadway; am hoping for a hit for her and this cast."
I don't think there is a "defining" song. There are s
I get that but the show most likely change (and tightened performance wise) between the first preview and opening night, and quite frankly later in December.
BroadwayConcierge said: "I'm hopeful, but not optimistic, that they've made beneficial changes between their Kennedy Center run and Broadway. The show that I saw in DC in December needed SUBSTANTIAL book and lyrical revisions.
Just curious when in the DC run you saw it? They had several weeks of previews and then the hard opening. What didn't you like? I saw it toward the end of the run, and liked it. It's
Dancingthrulife2 said: "https://www.youtube.com/watch?v=jWUsNKIB014 The "Sun is gonna shine again" number feels like "Gaman" from Allegiance. And the set, the costume... Maybe partly it's because they are both set in WWII, but I can't help but feel like seeing the white version of Allegiance, no offense. I feel both shows are shows about people after all, despite the "history lesson"
My problem really has to do with what they've done with trying to update the songs in how they're sung. I've had the OBC in my head for close to 35 years and it's those melodies I expect and want to hear. I didn't care for how they've reinterpreted "Corner of the Sky," and some of the other tunes. I don't mind them changing how they're generally sung, but I want to hear the original melody.
