Tag said: "Equity actually has rules around this: the temperature of the water, filtration, plans for dying off etc.
Can you point to that, I'm not seeing it in the Production Contract, but could be missing it."
It's in the "Agreement And Rules Governing Employment" handbook. If I recall correctly, the language is vague and just says a comfortable temperature, clean water etc. but they provide the specific guidelines when needed.
JBroadway said: "The rain is too central to the production to axe it so casually.
Also, while I personally don't know the methods behind it, there must bewaystomaintainthehealth of actors who have to perform wet. It's not like this is the first time in the entire history of live theatre that an actor has had to get wet onstage during the winter."
Equity actually has rules around this: the temperature of the water, filtration, plans for dying off et
senorvoce2 said: "It appears that "A Christmas Carol" has been inadvertently omitted from the Grosses Listings. I hope we can see the full untruncated results soon."
ACC:$822,983, 97.44% gross potential, ATP of $124.34
There's a producer out there pitching a different version that they are hoping to bring to Broadway. Apparently, if the London version doesn't transfer in the 20/21 season, their option to bring it to Broadway expires.
BJR said: "$818,000 wa a below their stop clause? Wow.
I presume the amount is related to gross potential, and it’s a large house, but that still seems pretty high for a stop clause.
There are plenty of shows playing now that would be happy with such supposed lean grosses."
It's in the theater owner's best interest to have a high stop clause. That's part of the negotiation of getting a theater, but it's almost always higher
everythingtaboo said: "I find it very weird that a news article on this site would post this article without clearly identifying that the musical in question is not the Broadway-bound one. Yes, the original article from THR doesn't mention it, but on the other hand, that's not a Broadway site. The News Desk needs to do better."
I think the "news Desk" byline is used when press releases are run verbatim, there isn't usually any reporting or even
Chowd95 said: "itsjustmejonhotmailcom said: "MrsSallyAdams said: "When did gay critics deduce that the cast ofThe Inheritancewas straight? Are they simply undeclared or was there some "no-h*mo" posturing in the press? "As a straight man with a gay cousin it's an honor to play a gay role... etc. etc.""
A cursory check of social media gives you a good idea. As did the three leads bringing their girlfriends to openi
MrsSallyAdams said: "When did gay critics deduce that the cast ofThe Inheritancewas straight? Are they simply undeclared or was there some "no-h*mo" posturing in the press? "As a straight man with a gay cousin it's an honor to play a gay role... etc. etc.""
A cursory check of social media gives you a good idea. As did the three leads bringing their girlfriends to opening night.
supersam1026 said: "Nederlander owns the Marquis. Rudin only does business with the Shuberts (or Jujamcyn once in a blue moon), but NEVER Nederlander.Music Manwill nottake the Marquis."
The Nederlander Org manages the theater, but they don't own it. The majority owner is Vornado (Daryl Roth's Husband's company.)
bwaydreamer said: "Yet he gives no proof as to how he knows that they are close to their weekly costs or what that number might be. Just a blanket opinion statement thrown out as fact. And as far at someone saying Hello Dolly had almost a million dollar a week running cost - Hello Dolly had a weekly salary of $150,000 plus more on the backend, as well as David Hyde Pierce (who probably was making between $50-100k) and Gavin Creel (making at least $30k a week). That right there is alm
Andres_123 said: "Saw jagged little pill when it was at ART and it was a hit there selling out and getting good reviews. Advanced sales dont look great though and I wonder if being in that big of a theater will affect the show. "
I assume by advance sales you mean you've looked at the seating chart on Telecharge. You'd need to look at every performance to get a good sense of how sales are. And even then you'd only have a rough idea of % sold not the
LightsOut90 said: "i can confirm while there was conversation about this at one point, it is 110% not happening now"
According to conversations I've had with people involved, it was never going into CITS. They are using the same set from the Asian production and those are for a proscenium house. Apparently it is coming in next season.
Anyone know which address I would send my letter to? I would like to send Casey Nicholaw a program of my Elf production from November and December of last year at my local community Theatre for him to sign."
Those look like home addresses. Sending something to someone&#
Call_me_jorge said: "I’m sure the producers are also hoping the money made from this show will help cover the money lost from King Kong"
That doesn't happen - even though it's the same producer - profit from Moulin Rouge doesn't go to King Kong investors. It stays with the Moulin Rouge investors.
JBroadway said: "The Inherentence and Slave Play are the big ones that’s everyone’s talking about right now. I haven’t seen Inheritence, and I thought Slave Play was just ok."
The Inheritance and Slave Play aren't exactly straight plays. (I'm here all week, don't forget to tip your servers.)
Rainah said: "Anyone know what the nut for Tootsie is? The Marquis has to be more expensive than smaller theatres right?"
It's more expensive in that there are more ushers and box office staff on the payroll. Shockingly they charge the same for air conditioning as a small theater. Tootsie's weekly is in the high 600's.
ACL2006 said: "itsjustmejonhotmailcom said: "ACL2006 said: "Goodness, those grosses for LIGHTNING THIEF already! Doubt things improve for them as their advance looks pathetic."
What is their advance?"
Just skim through Telecharge and you'll see most dates have very low sales. Maybe 100 seats sold at best. There's little advertising for this show that most people, including theater people, don't know a
