I don't know if it can really be called a scene change, since it happened at the top of the show, but the way the set came apart and sort of exploded at the beginning of Signature's recent "Curse of the Starving Class" was pretty magnificent. It was also the best part of the production.
CarmenA3 said: "mamaleh said: "Please let us know the location of the rush seats. Good luck!"
Mine are Orch F16-18. I screenshot the seat map from Ticketmaster before they opened, and the seats the first four of usgot were all shown as available. None were marked partial view, but mine are the last seats on the side - hopefully not much will happen stage left!"
I got the exact same seats for tonight. Hoping they're good! (it's my
Call_me_jorge said: "I saw the show last night. It was my first experience seeing fiddler and had I not known it was a non-equity cast I wouldve thought this was Equity. Great cast and staging. Just wish the Fiddler flew. Just an overall great experience and the audienceseemed full!"
Interested in finding out who is currently playing Tevye. Is the original lead back in?
I don't post on here that often, but I have to echo the sentiments of those who smiled their faces off at this show. Yes, I cringed at a few lyrics and at the 80s synthesizers, but I also teared up multiple times and laughed so hard at the inside-Broadway references that the lady sitting in front of me said she was enjoying me enjoying the performance. I apologized, thinking it was obnoxious, and she repeated what she said and that she really meant it.
I was pleasantly surprised to snag a Center Orchestra, Row F seat on StubHub for last Friday night. $60. I would definitely check StubHub, especially near your desired date.
My biggest regret is losing the bootleg audio I made of the "Hooker's Ball" dance music from THE LIFE. It was back in the early days of digital recording, and it just didn't transfer to my next device. Anybody have any insight on how I could find something like that? It isn't part of the OBC.
I saw the first preview, so I can't say how well they've settled in. I thought the show was powerful and ultimately terrifying. It's a little talky, but that aspect misdirects you and makes the ending pack more of a wallop, IMO.
I am close to shedding a tear, now that I've found my people. It almost makes me angry that I have no choice but to listen to Brittain Ashford singing "Sonya Alone". Such a beautiful melody, but she's on every dang recording. I'm sure she's a lovely person, but that mannered singing style grates me something fierce.
I agree with JBroadway, but I would also include Doll's House, Part 2. I saw it last night and thought it was excellent. On the light side, but it packs a punch, emotionally, too.
might be my favorite thing from anything this year.*
