I have noticed on several "sites" that there are various clips of musical numbers from North Shore productions. Obviously not just preview clips but from full shows. Does North Shore film their productions for archival purposes or have they ever broadcasted as similar to Paper Mill (Follies, Crazy For You...)?
Just FYI for anyone seeking to purchase remaining tickets today; the count-down page is already up waiting to assign everyone in the waiting room. I suggest you open the page up.
I saw the original production that The Golden. It was very intense. Granted, a lot of the humor and innuendos that make it witty -- did go over my head at the time because I was younger.
The matter at hand was, I thought, presented very seriously leading up to the end events.
That's saying the least, I don't have time to et into a more descriptive explanation.
Ironically, I did the show not too long ago, great experience.
It's 12:28pm and I just finished my purchase after having 738 in front of me since 12pm. There were about 6 seats left in the mezzanine, row M when I was allowed through.
I attempted twice as a message popped up stating that the seat I clicked on was no loner available! My third time I was able to purchase a ticket in the same row!
Thank you for that detailed information! I would have enjoyed the talk back!
With that said,
I caught this production last night -- It was captivating from start to finish. Gillian Anderson was sublime along with the rest of the company. Everyone stood out including the ensemble players. All of whom added to every element. It took me several minutes to warm up to Vanessa Kirby but I came to connect her energy/demeanor to that of Stella. Kirby is a fine act
I cannot answer to the effect in front of the curtain at the beginning, however, the device in their hands looked to be a small light bulb being switched on by the press of a finger -- a switch or small button.
When I saw the show several weeks ago, I could see that the patrons in Box left were leaning over several times.
With the staging the way it is, there is not much to be missed on the stairs or any major obstructions, as others have said. I do wonder though, how I would feel if I had to crane my neck over every now and then. The patrons did not look to comfortable.
The balcony is a full view of the stage and certainly a wonderful perspective on the choreography, costuming, and lighting design.
With th that said, I would go with the orchestra side, if need be. The cast members are positioned across the stage throughout however you will not miss much for too long.
Her back is turned several times for several moments but she does shift. It's nothing too terrible and also keep in mind there are the other actors to look at while they are in the scene.
I saw this production last evening on a last minute whim. Around quarter to two I was able to purchase a rush seat, Mezz left, row F just five seats from the aisle, almost center. Great view.
All I can say is that it's a beautiful production with stellar performances. The hours flew by.
