mamaleh said: "How are the locations for General Rush and the online lottery? "
For online lottery, mezzanine 3rd row, right side of house for the 8/31 performance. We were seated next to 2 other lottery winners to our left and regular tickets the two to the right.
Saw every scene without obstruction, we did miss some facial expressions in scenes where one of the characters was facing the other direction, but that will be true unless you are center of
quizking101 said: "I saw her a few weeks ago. She acquits herself nicely, especially with the music and the piano playing, even though she really sounds nothing like Carole. Her acting was a bit shaky at times, but I think she did a fine job in terms of being a stunt-cast.
Honestly, Jessica Keenan Wynn walks away with the whole show as Cynthia Weil."
This would have been my exact review as well.
Will also add that the entire cast came out for stage
Kitsune said: "I noticed that Come From Away is participating in the two-for-one tickets for Broadway Week this fall. I'll be in town that week, and would love to take my mom and sister to see the show.
However, there are three of us. Do you have to buy discounted tickets in multiples of 2? Unfortunately I'm not seeing any other offers for Come From Away for September 14th.
Similarly, I'd like to see Waitress again that weekend. If I go by myself, ca
g.d.e.l.g.i. said: "Honestly, no. (Not for any politically correct reasons; just not a fan of Showboat. And before you start, yes, I know its importance, but I'll live just fine without having seen it.)"
If you understand the importance, I wonder why you are offended by the producers line paying homage to it.
g.d.e.l.g.i. said: "temms said: "Not a whole song, but when I saw THE PRODUCERS with most of the OBC (Matthew was out, but at this point you usually got only one lead or the other), the black male ensemble member was also out, so they cut the “Credits all de mornin’/And I debits all de evenin’” section of “I Want To Be A Producer”."
Honestly, while I understand what it's meant to reference, I've always felt sor
The Lion King...Bad. Aug 10
2019, 12:21:38 AM
I saw it for the first time a few weeks back. I enjoyed the choreography and everyone knows the story.
But I thought some of the leads were weak both vocally and in their acting (which felt very mechanical).
Simba and scar were disappointments for me, I just didnt think the actor that played scar had the right voice for the part.
Perhaps it's just not the right cast mix right now. I'll wait fg or it to turn over and then give it another go.
I went on a Saturday about 5 weeks ago. Got there 30-40 minutes before box office opened and was probably the 20th person in line. There were no seated tickets, but I intended on geting standing room and got center standing room.
Its the 2nd time I've done standing room and it really is a great view for the show. With no intermission and the show under 2 hours, it goes by incredibly quickly and at $32, you can'
Armie3 said: "Well, what prompted this thread is Kinky Boots coming on my earphones and then remembering how disappointed I was to miss Billy Porter on a Sunday matinee, followed by Popular then remembering how disappointed I was to miss Kristin Chenoweth at a Wednesday matinee. Also I watched a documentary on Gwen Verdon where is said that she would often cut one of the tougher numbers for matinees - after one patron complained she posted them the 43 cents, saying "this is what
Best off broadway on right now Jul 29
2019, 11:31:01 PM
If you didnt see it during its Broadway run, I thought A play that goes wrong was brilliant.
