I personally think the pleasure is being anywhere in the playing space and would think the bank of seats behind the couch with the seats toward the wall would be least desirable. But I’d be curious to hear other reports. I am basing that almost entirely on the fact that a fair amount of Patterns (Alice’s act 2 number) takes pla
REVIEW: The Evolution of Mann: Original Off-Broadway Cast Recording Feb 24
2019, 10:15:53 AM
You’re veiled attempts at seeming as though you are not associated with the show are laughable!! I happen to know for a fact that ticket sales were nonexistent. Literally, no one I talked to liked any aspect of this show. Sure it’s highly subjective but to talk about this absolutely outmoded piece of predictable mush as anything but a misguided and sad vanity projecy for Doug Cohen doesn’t fly.
REVIEW: The Evolution of Mann: Original Off-Broadway Cast Recording Feb 21
2019, 06:03:37 PM
Wow! And what was your relationship to the show cause this was one of the biggest piles of trash I have ever seen. The music was unforgettable, the story idiotic and the performances WEAK (except Crumm at times). Derivative, cliched with nary a melody or clever lyric to latch onto.
There was a reason this show got slammed by times and ended up literally having a hard time GIVING away tickets.
Why they wasted money on a cast recording literally NO ONE wants is beyond me. <
$1,974 is the current minimum for anyone on a Broadway Production contract. This is lower for shows produced by Roundabout, Manhattan Theatre Club, Lincoln Center as they are not producing on the commercial production contract but rather on the non profit LORT A+ contract. This is the same contract (be it on different tiers) that a number of higher profile regional theatres produce on.
Very few contracts on Broadway are at that minimum. The rare occasions include being on