I guess they were invited (or invited themselves?), because Kim is a longtime Cher fan. They are both Armenian, so she's always been an idol to Kim. She should've left Kanye at home, though. Still, the publicity can't hurt, right?
Armie3 said: "Taking pictures of somebody on the street without permission is just as much of an intrusion, I would think, probably even more so than somebody who approaches and asks."
HogansHero said : Uh, no, it's not. Not when it is a public figure, and not when it is not exploited for commercial gain. That's just bizarre, Armie.
How so? To use your restaurant analogy from Post #8 of this thread - if you hang around after
The people who seem annoyed with this are the same people who hate "P.C. culture" and "safe spaces" and see this as another example of how today's young people are entitled and spoiled and all that other bull****.
I wouldn't have thought so, but I don't want to have a knee-jerk reaction to this, so...is this fair?Please don't confuse this with trolling. I am as progressive as you can get.
YPSILANTI, MI - Eastern Michigan University's Women's Resource Center will no longer host productions of "The Vagina Monologues," noting that the play's version of feminism excludes some women.
The WRC announced its decision in an email, which came after
Taking pictures of somebody on the street without permission is just as much of an intrusion, I would think, probably even more so than somebody who approaches and asks.
Wow, HogansHero, I think you are being just a touch harsh. Not all stage-doorers are odious and pathetic. I no longer stage door, as it's unseemly after a certain age..I think maybe after mid-20s you should have grown out of it, but before then I think it's an innocent enough pursuit. I treasure some of the photos I have of me with my idols. At all times, I was extremely respectful and more importantly appreciative - I always was aware that I was imposing, and asking for their valuabl
Haterobics, I wasn't speaking only to you, but I guess what I should have said is there is no need to add a narrative arc - it's suitable in its current format...wouldn't you say? I read the Guardian article, it seems like David is concentrating on the tour right now and has barely considered the prospect of a Broadway show.
I don't think the album is being turned into a musical...his current touring show is ready for Broadway as is. It takes in his current stuff and all the way back to Talking Heads. Read this Forbes article for more info.
I'm not sure if the OP is for or against American Utopia coming to Broadway.
Anyway...........
It is already a unique concert/ stage show, and has been touring around the world to rave reviews- it would make a great addition to Broadway, I'm all for it.
It must have been a series, because they are not the names and stories I am thinking of - but thank you all the same, Lise3, you have have been very helpful.
Hi, long shot, but does anybody remember the show Fired! at Second Stage. It was on winter/spring 2005 (I think...), and consisted of various celebrities telling stories about being fired from their jobs.
Fisher Stevens, Caroline Rhea, Taye Diggs John Pankow and more, but I guess I'm most interested in Rue McClanahan.
Can anybody remember what story she told, or any of the others? Who else took part?
Weirdly specific questions, I know, but I have my reason
What if the person only gave up the arm rest by standing to let you in?
Another finer point...
How do you know if the person occupying the aisle seat is going to stand or not? Approach and smile...I guess if they don't stand up right away, chances are they're not going to?
I was just reading the BWW headline about Patti LuPone, which uses "on the West End", and it didn't feel right to me - I know we say "on Broadway" but I don't think this transfers to the West End, or am I wrong?
I do understand how this show came to be, however I would say the historical fact of the executions have always been pretty much solid - the rumors of survival were just that - rumors, basically an urban legend. It has always been pretty much accepted that the probability was that the entire family died (brutally) on that fateful day. The people who made the 1956 film knew this, the people who made the 1997 film knew this - and the people who made the Broa
Good for you. Does this mean that all audience-members are aware of the truth?
The animated musical film is just as questionable. Would you enjoy a musical about Anne Frank where she somehow miraculously escaped the annex and lived happily ever after with Prince Charming?
