BrodyFosse123 said: "Boycott anything Ana Villafañe. Girl is a clueless stoopid idiot. Trust me. After her ridiculous backstab to the Latin community (which she’s fully aware that she phucked up), she’s soured me."
b4 you defame someone . Please provide sources and links .Instead of sitting with a username and just doing it for fun. Actually show proof
This show does not need critics at all. It did not need the Olivers it got. The fact its got both . Means prices will remain high. NYT has already reviewed the London Production
imeldasturn said: "everythingtaboo said: "People seem to like the play, but the script itself seems to be the least favorite thing about it. Will reviews (and Tony voters) overlook that because everything else is great around it?"
HogansHero said: "@Wayman, I somehow missed your post earlier but yes Memphis beat the odds and was well produced, without regard to what anyone thinks of the show. I had a different favorite that year, based purely on the music, but that I acknowledge did not have a strong enough book to make it competitive.
But I actually believe it does not matter who plays the role as long people believe you as the person you are playing. But Sierra should be far far away from musicals
Aladdin was very lacklustre. The Cave Of Wonders was nice and the genie was good and the Jasmine was talented. But the whole show just felt kind of boring and not very well done. The sets and costumes were kind of underdeveloped. Lots of the songs felt like after thoughts. And the direction was sloppy. The book was problematic. I give it a c- In comparison Mary Poppins was an A-
