Profile for NievesG

JSquared2 said: "NievesG said: "I actually received a mailer for this yesterday. I think it had a code but I'll check when I get home...

My stepfather loves this stuff but I told him I can only handle one: this or the Illusionists when they come back in November I would like to read a candid re

orangeskittles said: "However, if spending a lot of money on a ticket is going to cause someone "emotional issues" if a minor detail goes wrong, something else is going on there.

I think paying $200/person to see a show and having it disrupted by some idiot with a phone can be more than a "minor detail going wrong". It has gotten a lot worse than a few errant phone rings or checking a text.

I was quoting the NYT article:

FANtomFollies said: "Thanks for all the advice! Do you know where your seat is after you purchase online, or not until you pick it up at the theatre? Would you end up with a better seat if you pick up the ticket sooner rather than later?"

You won't know the seat location until you pick it up at the theater. And the last time I played the lottery for this (summer 2016, full disclosure), we picked them up 30 minutes to curtain and we were in BB, so I'm sure the

Interesting read and this bit:

He blamed high ticket prices for the worsening conduct. “It puts so much pressure on a night out,” he said, “and the second something goes wrong it becomes a big emotional issue.”

Maybe because going to a show isn't a huge event for me since I live in NY but this is certainly a take on it. However, if spending a lot of money on a ticket is going to cause someone "emotional issues" if a minor detail go

I actually really enjoyed this. I understand where the ehh comes in for DramaTeach: the plot can be construed as rather pedestrian but I think this is where Pinter's use of dramatic irony really makes it work.

It started off a little tight but as soon as Hiddleston spoke, the show really started to propel itself. It was fun watching all three actors work off of each other's tension.

I really admired the use of the turntable staging here, it felt appropriate. Ther

Reporting from Mezz C26 -- excellent seat, nothing partial view about aside from the combined, oh, 30 seconds, the actors move too far stage left. Absolutely worth the $25. I do think this would be great to see as close as possible, too - looked like plenty of leg room in the front row orch!

I imagine that if this production was more involved regarding stage design, these would not have been very good seats. Given the spare nature of the stage, they were good.

I would like t