Yikes! I was so curious about this casting - she to me is much more grounded, dramatic actress. Not that she isn't funny or doesn't have comedy in her bones - it's just that Dolly is supposed to be a bit over the top and definitely some endearing sass - qualities I don't necessarily associate with Buckley - Though I will try and see it anyway. I did see her in Grey Gardens a few years back and sadly was not impressed with her in that production. (could've
I gotta say for $60 this is a knock out production- a broadway caliber show with talent that is outstanding! It does feel like a concert, and a great way to describe it. I couldn't believe how many hits this great duo had - and it literally is hit after hit! The stage makes you feel like your going to a local joint to hang our and listen to music. A refreshing, high energy, and very entertaining night! The theater was about 70% filled mostly the sides empty but the
I'll be curious who they will cast for the 'last leg' of it's bway run? I hope they pull out all the stops and goes out with a bang! Cheers to a long run!
I'm all in - I think this would be a warm welcome as a revival , especially since we need a few choices in that category for next season. Hopefully they will think about what worked and didn't work in the original. It needs to have an even balance of emotional connection to the characters and their journey as well spectacle. IT was a marvel at one point in history. Scenic design I think is what will sink or sail this production.
and now Al Roker in Waitress.... there is no better example of Stunt Casting - and look everyone is talking about it - and he can promote it every day on the Today Show = Brilliant or Disgusting??
We are never going to get rid of stunt casting but sometimes...it revives a dead horse. Brendon Urie in Kinky Boots and Reba in Annie Get your Gun were brilliant moves - what are some of your favorites that got your heart beating again? And just for laughs, what were some of the worst? (be kind)
I saw Smokey Joes about 2 weeks ago and was so entertained and would totally recommend it - the performers are electric and 2 standing ovations during the show - a really great night out! I also saw Trainspotting in London - enjoyed it but you would have to like the movie to enjoy this show.
I would suggest Smokey Joe's Cafe or Avenue Q - Saw Smokey Joe's and the energy and talent are outta this world - two standing ovations during the show. Avenue Q is just fun - a lot of laughs - either way a great night !! Have fun!
Yeah that is the million dollar question - or rather answer, as to the look, style, and overall visual concept. The live dancing is really the heartbeat of the show - and now a lot of stunt casting... more to the line up- and confirmation as some of you were asking for
Jennifer Hudson has just signed to play Grizabella in the new film adaptation of CATS - Uhmmmmm love her to death not sure if this is a good fit. Grizabella is an old broken cat who's lived her life and wants one more glimmer of hope. Though Jennifer has had her own tragic life experiences, I just feel like an actor of a later generation should fill the paws of Grizabella. Saw the latest revival of CATS when it was playing and disliked Grizabella as well since it was a 3
This is Brilliant Marketing and exactly what has made this show successful with such a long run...After seeing the play, I loved it! But it's hard to get butts in the seats when there aren't big names and flashy musical numbers - it's relied all on word of mouth and marketing. This makes perfect sense and feels planned all along! Now they can make fun of wrong closing dates and being the longest running play there.
Have to agree with everyone - Matilda is a very special show! Thoughtfully written with smart and witty lyrics, combining both the harsh sense of real life with the imagination of a child, and totally taken on a magical journey as an adult or child. It has been running in London for 8 years now and held the most wins of the Olivier Awards for a Musical - until this year with Hamilton now tying it.
What gets me so upset is when they lead the audience/patrons to believe it's right from/direct from Broadway and it's a non-union tour. Just like the recent 25th Anniversary tour of Rent and 42nd St - This is nothing but deception and lies from the producers and theaters. I have no problem with the performers as many of them are exceptionally talented - but the sets and costumes look like they have literally been on the road for 20+ years and many of the cast are very youn
