Danielle0314 said: "My mom and I saw the show July 1 from orchestra far right (seat #s in the 30s) under the overhang row v, so we only missed one part (those who've seen the show know what I mean). Was happy to see being that far right we missed no side stage action.
We are seeing it again Sept 1, orchestra row A seats 1 & 3. I'm so excited to be up there, I've never sat that close before for a show! Paid a pretty penny (premium price), but I cannot wait!<
Does anyone know how many categories Cursed Child was eligible for? I can't seem to find the answer with a google search. I'm wondering if it was even considered for best original score and/or best orchestration.
I read the script before seeing the play and I personally loved it. Most of the complaints I've heard have nothing to do with the actual story, which is phenomenal in my opinion. People seem to think they know the characters better than JKR.
ColorTheHours048 said: "Huh. I didn’t think a show with such positive word of mouth and an advance that would make any producer set for life would need to hire message board plants. And yet, here we are."
You really can't blame them. No one has ever heard of this Harry Potter character before now. It's not like there's a massive worldwide fanbase that's been steadily growing for the past 20 years or anything. /s
SarahNYC2 said: "I did not like it at all. Now I am not a Harry Potter fan but I know the basic story. I am an avid fan of Broadway shows. So I wanted to see it. I was bored. It didn't help that I was FREEZING to the point I had to where gloves, my coat and my hat.
I only paid 40 per show so at least I didn't break the bank. I just cannot understand what all the raves are about."
I know I shouldn't get so much delight out of your misery, but I
2 seats for tomorrow night. Dress circle row M for $40/part. I was close to hitting pay, but I can't justify making 2 trips to NYC this month. I'll release them at 5:07.
Serendipiteedee said: "I'm with you, I love the script on its own. I think the writing is very strong. I've seen the play a number of times in London and am going to see the Broadway version next week. It's not a play with complex dialogue, but it carries on the themes from the books beautifully and develops them further.
I disagree vehemently that it doesn't explore any themes or ideas. It's about legacy, the cycle of abuse, guilt and recovery. It'
