I went today and got the last SRO ticket which ended up being for the matinee around noon.
As mentioned by a previous user, the SRO view for this show is horrible. You cannot see anything that happens in the second level of the set. Full scenes happen up there, along with other moments. What bothered me most was that my ticket nor the box office attendant mentioned that the view was obstructed. Usually it's expected that for SRO the top of the stage will be slightly cut off,
I was there and saw Alyssa last night. I know that understudies don't get much rehearsal time before opening, so I can't rightfully judge her performance based on this.
She looked pretty nervous. Her voice wasn't full in the first act, and there was a noticeable difference in her volume and vocal energy than the rest of the cast. (Perhaps adjusting to the space of the St. James?)
The role of Elsa has so many technical elements to it that have to be executed perfectly
If I have a ticket that I would like to give to the cancellation line, how does this work? I've never had to return a ticket. Do they just give you a full refund or only if it gets sold?
Is there a better way to get a refund without selling the ticket on a secondary market?
Hmmmmm hoping to see Galvin, but I have tickets for Friday 12/29 matinee, and that week they have 2 shows on Wedesday, Friday , and Saturday. Would it be safe to assume MLB will only being doing the usual W/S Mat.?
Anyone know if Galvin will have an alternate as Ben has had for the past couple months? I figured since Galvin is only in the show for about 7 weeks, he wouldn't have one, but you never know.
I'm moving and have a bunch of merch/merorabilia that I just can't take with me, and would rather see it go to a theatre fan than the garbage. I'm basically just getting rid of "freebies" and things that I got at past Broadway Flea Markets. Message me if you want anything, and all I ask is that you venmo me what it will cost me to ship.
How about the first performances back on Tuesday the 13? Trying to SRO DEH and would just die if I waited all night and then Ben called out. (even though I'd love to see Colton, his understudy)
I plan on doing SRO for the Tuesday, June 13 7:00 PM performance. (First performance after the Tony's should be an experience!)
I would be happy to grab 2 tickets if someone out there doesn't feel like waiting all night in line and would be willing to cover the cost of my ticket. (If I could convince a friend to join me in line, there may be an opportunity for a couple to take advantage of my offer.)
-The costumes and choreography bring you into the world of the play....a basic concept that every well constructed production should do for the text. Are you angry that a male dancer is wearing a "dress"? Yes, he's wearing a dress because maybe in this world, the creators were trying to establish that the everyday gender conventions embedded in our society are merely conventions/traditions. A woman is associated with a dress rather than a man becaus
How much are the tickets for Broadway/popular off-broadway shows recently being priced at. Debating getting a membership but I want to make sure there are tickets that are actually cheap but are good shows that I'm interested in.
Yes I believe I was sitting next to you. I'm surprised I never saw the thread you had started about this situation, but anyways after reading the other thread, I wonder where is the line that we draw from understanding and accepting the responses that audiences have during a show from being disruptive? As an actor, I can see how powerful it is to move the audience and being able to appreciate these responses to the work. But on the other hand, an audience member like m
I'm not sure if anyone else was at this performance but on May 22nd(Sorry for posting so late. Haven't had the chance.) at Long Day's Journey....I was sitting in front of a woman who was so disruptive I was furious that none of the ushers took action to eject her.
During the intermission I overheard an older man she was with say "Do you want to go home"
This is the insane part about the Hamilton Lottery....if someone enters that logistically would have no way of getting to the theatre by the showtime (let's say California), the tickets are not lottoed off to another person that entered the lottery for $10. Instead, the seats are sold at $177 on the cancellation line.
