Anyone selling a "The Light in the Piazza" window card? Looking for cheaper options than the one in Triton Gallery. Thanks!
PLAYBILL Covers of the 2017-2018 Season Feb 28
2018, 10:02:45 PM
It could be a cover for a pamphlet discussing domestic abuse/couple’s counseling you see in clinics.
Rainah said: "in terms of reception/length of run, Comet. It truly wasn't the controversy that closed the show, the public just did not embrace it as much as it really deserved and they couldn't find their audience."
Yes, this is true, but it would not have ended that early if the controversy did not happen. Most importantly, it would not have ended the way it had, in a midst of a pointless controversy, to inflate some SJW's egos on twitter, that ove
Fastest win to EGOT LMM or Pasek/Paul Jan 28
2018, 08:00:05 PM
At this rate, I won’t be surprised if Pasek and Paul nabs the EGOT first. It frustrates me to no end, because, although I do think they are talented composers, their scores and lyrics are absolutely nothing special and quite repetitive. They are just brilliant in pandering to the mainstream audience AND finding collaborators whose works are much better than theirs (Chazelle for ‘La La Land’; Levenson’s book for DEH). And, yes, Lin has the PEGOT and that all what truly matters, no matter who get
The first time I saw Comet (0 knowledge of the show), she was on, and I was blown away by her performance. I said to my friend, "SHE'S the understudy??"
I saw Denee when I saw Comet for the second time, but I still prefer Lauren as Natasha.
Fordham2015 said: "Betsy will replace the cake, and then she herself will be replaced three weeks later by Mandy Patinkin"
Don't forget robot Hal Prince
If you can change ONE dd Nov 30
2017, 11:32:51 PM
Eliminating/reducing “The Private and Intimate Life of the House” and “Natasha & Bolkonskys” in Great Comet. I’ve pondered and observed EVERY aspect of the show yet still can’t wrap my head on the importance of these two songs, especially the former. Maybe someone can help me out.
Also, cause I apparently have nothing better to do, I read the comments from Isherwood’s NY Time’s review of the show. Goddamn, people really need to grow a pair over the strobe lights thing. I sat on one of t
JBroadway said: "Assuming this will go to DEH automatically given the nominees, and the fact that Pasek & Paul seem to be on a winning spree.They will have won an undeserved Oscar, an undeserved Tony, and an undeserved Grammy all in the span of a year. That's quite an achievement!"
HAHAHHAHAHAHAA
This is one of the best comments I've read on this message board. Kudos to you, sir.
And they took it from three DIFFERENT people as well.
Once again, Come From Away continues to get overwhelming praise that surprise me. (I could also add this isn’t the first time they’ve robbed Great Comet’s award (cough) rachel chavkin (cough), but that’s just me being incredibly salty)
I kept looking for a “see more” button on my phone till I realized it was only 3 nominees.
Sunday blows the others out of the water; it should win, and deservedly so.
Although deep down in my heart I hope Comet wins, or a nomination at least, so they can all get, especially Dave Malloy, something after they've been ****ed so hard at the Tonys (and everything that happened afterwards).
My favorite costume designers are currently Catherine Zuber and Paloma Young. Catherine Zuber is amazing for those old-fasion, classic revivals while Paloma Young tends to play around with more experimental stuff. I've never been disappointed with any of their designs even if I think the show itself is below subpar (Warpaint for Zuber; Bandstand for Young).
