Profile for songanddanceman2


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Member Name: songanddanceman2
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Birthday: 12 - 10
Gender: Male
Profile: Love the theatre and have worked as a singer and dancer for years inc shows like a chorus line,fame,,Tick Tick Boom,Evita etc
I now own and run a successful production company in Manchester called Vertigo and have had several hits including Dog Sees God (UK premiere), 3sum (original play) the Breakfast Club, 'M', 'Rage and our award nominated original play 'OUT!'
Recently we had the great honour of producing the UK Premiere Productios of Charles Busch Off Broadway camp masterpieces 'Die, Mommie, Die!' and 'Psycho Beach Party'. Both shows were huge hits and sold out. Our original comedy Christmas Sorority Massacre has had 2 productions and we were granted permission to adapt the BAFTA nominated film EXAM to the stage and the play opened to rave reviews. Our original thriller M won Best Fringe Production at the 3MT awards, Mysterious Skin was nominated at the Broadway World UK awards. The original drama Watching Goldfish Suffocate was a huge hit touring the UK and Porno Chic recently opened to rave reviews and and won Best Drama at the GMF awards. New show Noir opens 2017.


Favorite Show(s):

Favorite Performer(s): Craig Hepworth
Adele Stanhope

Most Recent Message Board Posts:
  • how much money did GHD lose?  Sep 17 2017, 06:27:54 PM

    It's coming back to the UK. 

  • GROUNDHOG DAY Will Play Final Broadway Performance This September  Aug 15 2017, 07:46:17 PM

    It's painful to see superb creative shows like this and American Psycho go down so fast. 

  • Broadway Grosses: Week Ending 7/30/17  Aug 5 2017, 12:14:34 AM

    Liza's Headband said: "songanddanceman2 said: "Well I can tell YOU from facts that you are wrong. 

     

    "

    Please leave the petty sniping out of threads dedicated to factual discussion. Thank you.


     

    "

    Petty sniping? I simply said factually you are wrong. That is not what the shows running costs are at all, I know this for a fact. You often seem to just pull numbers out of thin air. 

  • Broadway Grosses: Week Ending 7/30/17  Aug 2 2017, 10:02:46 PM

    Well I can tell YOU from facts that you are wrong. 

  • Broadway Grosses: Week Ending 7/30/17  Aug 1 2017, 05:46:42 PM

    Where has the 800 to 800k weekly running cost for Great Comet come from?

  • Broadway Grosses: Week Ending 7/16/17  Jul 17 2017, 09:11:04 PM

    What's your problem now Liza? 

  • Broadway Grosses: Week Ending 7/16/17  Jul 17 2017, 08:29:11 PM

    Groundhog Day reminds me of American Psycho, a great show that somehow did not translate to American audiences. I hope both shows have their deserved success back in the UK and around the rest of the world. 

  • Black Billy (Carousel Revival)  Jul 7 2017, 06:25:29 PM

    Wait, so black people cant play roles that have a negative side to them now? Sorry this is PC going mad.

  • Broadway Grosses: Week Ending 6/25/17  Jul 4 2017, 10:36:01 PM

    It's still right now doing over 800k a week, I would say that right now it's fine. 

  • Broadway Grosses: Week Ending 6/25/17  Jul 4 2017, 07:14:44 PM

    It baffles my mind all this alarmist posting about Groundhog Day, the show is pulling in decent numbers, maybe not wow numbers but for sure not in the danger zone. 

  • Clockwork Orange to transfer from London in September  Jun 29 2017, 11:21:35 AM

    The version I reviewed did (one that wasn't needed), but I don't know what work they have done on it since. Hopefully the have taken it out. 

  • Beetlejuice Developmental lab  Jun 28 2017, 10:09:30 PM

    I think you vastly under estimate the popularity of this film, and personally I think this story has plenty of room to sing. 

  • Clockwork Orange to transfer from London in September  Jun 28 2017, 10:06:04 PM

    If this is the one that has been around for a good few years here in the U.K., then I reviewed it back in 2013, enjoyed it. http://www.whatsonstage.com/salford-theatre/reviews/10-2013/a-clockwork-orange-tour-salford_32389.html

  • Broadway Grosses: Week Ending 6/18/17  Jun 22 2017, 09:45:40 PM

    The Groundhog Day numbers are perfectly fine, why are people freaking out?

  • 1984 publicity stunt  Jun 22 2017, 08:33:13 PM

    I always think it's crazy that most shows that are more adult in content or staging don't use age advisories or restrictions. I know with my play Porno Chic (that is coming from the UK to NY next year) we have always made sure we have had an age restriction on (15 and over) and that won't change for NY. Sometimes some shows are just not meant for kids. 

  • Romy and Michele's High School Reunion The Musical in Seattle  Jun 13 2017, 03:08:56 PM

    Anyone seen this yet?

  • How much longer for Groundhog Day and Bandstand  Jun 13 2017, 01:18:23 PM

    LesWickedly said: "Yes, but after winning no Tonys and a mediocre performance, it probably won't keep rising. People were going because it was won of the possible winners, but now it has won nothing. 

     

    "

    Huh? I don't think people were going because it migh win Tony awards, they went because they wanted to see it, reviews were pretty good and word of mouth.

  • How much longer for Groundhog Day and Bandstand  Jun 12 2017, 11:31:06 PM

    People do realise that Groundhog Day is doing pretty well right? It was very close to breaking a million dollars this week. 

  • Rank the Tony performances  Jun 12 2017, 11:16:33 AM

    The hate for Groundhog Days performance confuses me. I thought it was beautiful and one of the only performances that seemed to contain authentic emotion. Love the song and loved the ending of it.

     

    The worst by far was Hello Dolly. I also loved Come From Away and everybody I was watching the Tony Awards with picked that as the fave. War Paint was awful and the direction so pedestrian, plus I'm sick of the Patti love, she plays the same roll in everything and I still ca

  • THE OFFICIAL 2017 TONY AWARDS VIEWING THREAD  Jun 11 2017, 10:02:30 PM

    War Paint, yawn, couldn't understand Patti, plus she always seems to play the same kinda character.