Did you know that four times as many men than women commit suicide? That was surprising enough, but worse, white men have the highest rate compared to the rest of the races. If we're exploiting all non-whites and women, we're doing a lousy job of it.
Actually, American Indians and Alaska Natives have the highest suicide rates by ethnicity/race. Furthermore, although more men complete suicide, more women attempt it. Men have higher completion rates because they
I really miss Dmitry's line in the movie "It was more a change of heart."
'In A Crowd of Thousands' beautiful as it is, lacks a true connection between young Anastasia and young Dmitry. A bow in a crowd of thousands compared to saving her and working in the palace is pretty 'meh'.
One thing that really annoys me about that plot change is that it results in Dmitry not having the music box from the beginning. In the movie, it makes sense
I haven't seen the show, but I did want to bring up one thing, as someone who works in mental health and is involved in suicide research. Depicting suicide in even a fictional story is a VERY dicey thing because of suicide contagion. That's why 13 Reasons Why is getting so much flack. You have to be very careful about how you depict suicide in media because it actually can lead to increased attempts. Obviously it's rare, but
Babe_Williams - I thought that Ben Platt showed some vocal strain during his performance on Colbert's show, as well. Glad that I'm not alone!
I thought that Book of Mormon was extremely overrated. It was an entertaining and enjoyable show, but that was about it. I think the issue is that I was really familiar with Parker and Stone's other work, so none of the jokes were really that new or shocking to me.
Speaking as a huge fan of the movie, I also disagree with the OP's description of it. I think that it's definitely memorable, since I often see quotes or memes from it on the internet. I think that a lot of people can relate to it, especially women.
The musical adaptation, of course, is another story.
I actually hated the Lion King. I think that the new songs are terrible, with the exceptions of "He Lives in You" and "Shadowland," and you may as well just watch the movie for the rest of it. The staging was cool but that's about it.
I love Pasek and Paul but I just wasn't super impressed by DEH's score. Meanwhile, Great Comet has one of the most interesting and complex scores I've heard in a long time. I hope it gets Best Score. I can't judge Best Musical because I haven't seen either show live.
If this were, say, Dogfight instead of DEH, this would be a lot more difficult to decide for me.
IMO, the songs just ran together too much. Many of my favorite shows have scores that people don't find catchy, so I don't think that'd be the root of the problem for me. It's just that the songs from this show aren't memorable. There were only about a few that stuck in my memory - "Stay," "Goodbye, Amelie," and the one Nino sings when he's putting up those flyers. There was also a duet adult Amelie sang with young Amelie that
I also saw this show in LA and wasn't very impressed, which made me very sad because Amelie is one of my favorite movies. I think that the creative team kind of missed what really worked about the movie and therefore missed the mark. The adaptation, IMO, focused on story and character elements that weren't really necessary while ignoring ones that were.
I had also been wondering lately why they were promoting "Times Are Hard for Dreamers" so hea
"Romance, record sales and a savvy contracts lawyer can fix trauma? Someone tell the V.A."
I'm a PTSD therapist, and, actually, getting re-engaged back into activities that you previously enjoyed, as well as increasing social involvement, can be really helpful for PTSD. Although I do get the point the critic is trying to make.