Kat Mokrynski

Recently, we had the chance to speak with Wolfe about bringing Next to Normal to the West End. We discussed what it has been like to join the show as a fan of Next to Normal, the importance of mental health both on stage and off and what he hopes audiences take away from this production.

Written and performed by Adrian Lukis and directed by Guy Unsworth, Being Mr Wickham brings us into the world of the infamous Pride & Prejudice character after his 60th birthday, having withdrawn from the festivities to a quiet space. But, suddenly, Wickham looks into the audience, acknowledging us and telling us, “When play stops, old age begins.'

Knight Fever sees the return of the narcissistic pop star character, Jazz Emu, this time vying for a Knighthood at the Royal Variety Show. The character, created and played by Archie Henderson, has done several shows in the past and has gone viral on social media for his hilarious and catchy songs.

If you ask a Jane Austen fan who the villain of Pride and Prejudice is, most of them would probably say George Wickham, the charming soldier who has a hidden history with Darcy. But some, including Adrian Lukis, who played Wickham in the BBC’s 1995 adaptation of the novel, would argue that things are not as black and white as one might think.

Ivo Graham: Carousel is a step in a new direction for Graham, who is most well-known for his standup comedy, having been performing since the young age of eighteen. In this show, he “invites you onto his own carousel,” bringing you into his world through an hour of remembrance.

DIVA: Live From Hell has arrived at the King’s Head Theatre. With a book and characters by Nora Brigid Monahan and music/ lyrics by Alexander Sage Oyen, the one-man musical brings us into the eternal punishment of Desmond Channing, a high schooler from Florida who is forced to reenact the final few months of his live in a cabaret-style performance.

Written by Emlyn Williams in 1950, Accolade tells the fictional story of an accomplished writer named Will Trenting (Ayden Callaghan) who finds the world he has built falling apart in front of him as a secret from the past comes to haunt him. The production, directed by Sean Mathias, is part of Mathias' 2024 Season for the Theatre Royal Windsor.

Walking into the Soho Theatre Upstairs for Jamie Finn: Nobody’s Talking About Jamie, you are greeted by a bit of an unusual sight - an exercise bike. Finn enters wearing an outfit one might find someone wearing at the gym, with a Blondie t-shirt and bright green gym shorts, and the show begins with him yelling, “Soho Theatre are we ready to rock?'

It Just So Happened: An Alternative History Show has a simple concept, as shown in the show’s description - “Three guest comedians/history buffs perform short stand-up sets based ‘on this day’ in history before exploring some possible alternative histories of Brighton people and events.

Entering the Rotunda Theatre Brighton: Squeak for Richard Pulsford: Get Rich Quick, you are greeted by a screen with Tweets by Pulsford flashing by every few seconds. Each Tweet has a different joke on it, leading to a few chuckles from the audience as each new one appears on the screen.

Walking into Ben Goldsmith: Crimelandtown, you are greeted by Goldsmith putting on a character you’d find in The Godfather, thanking you for coming to visit Crimelandtown Casino on “the day of my daughter’s wedding” and handing each audience member a poker chip.

Chin Wang: Wang’s Republic begins with Wang filling out an online form, the site projected onto a screen behind her. The first question? “What’s your country or region?” It’s a strange question, and anyone who has lived in a different country can definitely relate to Wang’s confusion.

Ghost Walk of the Lanes is an eighty-minute tour of “Brighton’s oldest and most haunted quarter,” with a storyteller dressed in a Victorian costume leading audience members around several historic sites of the city, stopping and telling stories, ringing a bell to lead the way.

Kids Can Heckle!, hosted by comedian Ollie Horn, has an interesting concept. As you might be able to guess from the title, children are allowed to heckle. In fact, according to the show’s descriptions, they are “encouraged to jump in, share their ideas, and be as silly as possible,” so you can definitely expect some voices to be chiming in!

'Boy Band takes audiences into a meeting of the titular group, defined in the show’s description as “a top secret club where boys of any age, gender, and orientation meet in top secret to work on choreo and sing songs of unrequited longing, a celebration of all things squishy.”'

Yes Anderson: Tales From the Tent, performed by the improv group Tiny Dynamite, is a show in which audiencces are invited into the world of the films of Wes Anderson, with the performers creating “an anthology of linked character portraits and story fragments” based on audience suggestions.

'A Circus Sized Game Show is exactly what it says it is - a giant game show. But, there’s a twist - the audience members are the ones determining how it will go! We are introduced to Morgan James, who is going to be performing his one-man circus - with a little help from us!'

Dave Bibby: Baby Dinosaur starts with a simple concept - Dave Bibby is going to do a one-man show of the film Jurassic Park, putting on a mini movie for audience members. But, even when planning for a show, life finds a way, and Bibby finds himself unable to write the show due to the birth of his son, Leo.

Judging from the content warnings alone, you can tell that you are in for a show with GODZ - audience interaction, strong language, nudity, haze/smoke effects, depictions and references to violence . . . The list goes on!

John Hinton: Well Well Well . . . is a musical show that has Hinton using songs and the story of his own life to explore the science behind cancer, as he was recently diagnosed with diffuse large B cell non-Hodgkin’s lymphoma.