Review: YOU ARE GOING TO DIE, Southwark Playhouse
by Franco Milazzo - April 23, 2024
A show dripping in pretension performed by a naked man? An impenetrable work obsessed with having a sex toy deep inside one’s backside? A meditation on “existential anxiety” that does little of note with an hour of precious life? There’s enough irony in You Are Going To Die to power an Alanis Moriss...
Review: SILENCE, Birmingham Rep
by Laura Lott - April 24, 2024
“Old friends in the morning, then wanting us dead in the afternoon”, says one of the men in Silence, repeating the line over and over. Decades after the event, he still can’t understand the speed at which hate and violence ignited in the wake of the 1947 Partition of India....
Review: 1884, Shoreditch Town Hall
by Franco Milazzo - April 22, 2024
What is the difference between a house and a home? And who gets to write history? Interactive experience 1884 provokes challenging answers to these questions in the context of an almost-forgotten historical event that had significant consequences for two continents....
Review: CALENDAR GIRLS, The Mill at Sonning
by Mica Blackwell - April 22, 2024
Unlike Firth’s decision to stretch out the film’s first half for the musical, confusingly ending it on the long-awaited calendar photoshoot, his play adaptation allows the audience to see the impact the calendar has on the outside world and the women’s personal lives....
Review: BEATS, King's Head Theatre
by Olivia Woods - April 22, 2024
Returning to the brand new King’s Head Theatre, Ned Campbell takes on award-winning Scottish playwright Kieran Hurley’s Beats in an adaptation that champions our imaginations and emphasises the power of collective gathering....
Review: ANDREW DOHERTY: GAY WITCH SEX CULT, Soho Theatre
by Kat Mokrynski - April 24, 2024
We begin with Kaelan Trough (Doherty) gleefully repeating the word “Love,' grinning as he wanders around the stage. Kaelan and his partner, Jeremy, are having a gender reveal party for their baby. There is a black balloon hanging from the ceiling. Once popped, if the baby is a boy, blue rose petals ...
Review: TAMSYN KELLY: CRYING IN TK MAXX, Soho Theatre
by Kat Mokrynski - April 24, 2024
Tamsyn Kelly: Crying in TK Maxx is a show about the men in Kelly’s life, starting with her father growing up and ending with a man who works in her local chicken shop. Kelly grew up on a council state, the only one with a father, ironically wishing that he would leave as he was causing nothing but p...
Review: THE BALLAD OF HATTIE AND JAMES, Kiln Theatre
by Franco Milazzo - April 19, 2024
Somewhere in King’s Cross, a middle-aged woman sits at a piano and plays an original piece with surprising fluency. There begins Samuel Adamson’s tumultuous tale of two teenage musical prodigies whose lives become thoroughly entangled....
Review: LOVE'S LABOUR'S LOST, Royal Shakespeare Theatre
by Cindy Marcolina - April 21, 2024
Spring brings renewed energy into the year. There isn’t a better moment for the Royal Shakespeare Company’s recently appointed Co-Artistic Directors Daniel Evans and Tamara Harvey to launch their vision for the organisation. Led by a big name that will attract new audiences who are probably younger ...