Victorian Opera Presents New SLEEPING BEAUTY With 27 Life-Sized Puppets, Today-18

By: Mar. 11, 2017
Enter Your Email to Unlock This Article

Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe.




Existing user? Just click login.

Enter a world of fantasy in Victorian Opera's transfixing new production of Respighi's The Sleeping Beauty, featuring 27 life-sized puppets, at Arts Centre Melbourne's Playhouse from 11-18 March.

Composed by Ottorino Respighi (The Pines of Rome, The Fountains of Rome), this rarely-performed opera was first staged in Rome in 1922 for one of Italy's leading marionette puppet theatres; a smash hit, it toured the world to countries including Australia. The production traditionally featured singers performing from the orchestra pit while puppeteers performed the action on stage.

Awakened by the bold imagination of director Nancy Black (Master Peter's Puppet Show, Four Saints in Three Acts), this production positions singers and puppeteers side by side as a community gathers to retell a classic tale, drawing upon their respective storytelling skills.

"It's not just a happy, sweet, little sentimental fairy tale, it's actually a story of resilience and hope. It has something familiar to it and something that's very strange. I want to engage the audience's imagination; they'll watch things transform," says Black. Watch an extended interview about the production.

Marionette puppets will be replaced with 27 life-sized puppets, spectacularly realised by puppet designer Joe Blanck (Walking with Dinosaurs, King Kong). Blanck also co-set designs with Ben Cobham (Ghost Wife, Bluebottle Designs), with lighting design by Phillip Lethlean (Sweeney Todd).

Victorian Opera's Head of Music Phoebe Briggs conducts Orchestra Victoria and a cast of Australia's most talented emerging and established singers, including Jacqueline Porter, Liane Keegan, Carlos E. Bárcenas, Zoe Drummond and Shakira Tsindos.

Reflecting on the work, Briggs notes: "Respighi described the opera as an innocent mockery of contemporary melodrama. It's full of drama, humour and emotion. He was a very clever orchestrator and could create so many different sounds from a relatively small group of instruments. I love hearing the different colours and textures of the orchestra and can't wait to see how they match the characterisation of the puppeteers and singers."

After its season at Arts Centre Melbourne, The Sleeping Beauty will travel to Hobart in association with the Tasmanian Symphony Orchestra as part of Victorian Opera's ongoing commitment to staging opera in Tasmania; a commitment made possible by The Australia Council for the Arts.

Audiences will fall in love with this transfixing production of The Sleeping Beauty.



Videos