Beauty and the Beast Photos - West End

Taraji P. Henson, Danielle Brooks, Blitz Bazawule, and more brought The Color Purple to the 27th American Black Film Festival. Check out photos from the first look screening and Q&A at day four of the festival now!

The cast of four valiant vaudevillians has been announced for Oscar Wilde's uproarious spectacular The Canterville Ghost, which will haunt and delight audiences at the Southwark Playhouse this autumn, as part of a wider UK Tour. The gloriously ghoulish show, directed by Olivia Jacobs, is part of the 25th anniversary celebrations of the award-winning theatre company Tall Stories. See photos from inside rehearsal.

The first clue that ANASTASIA was going to be different than what I expected was a note on the title page reading, “Inspired by the Twentieth Century Fox Motion Pictures.” Plural? A savvy journalist, I quickly asked Siri to bring up the imdb page for “Anastasia”. Turns out Fox made ANASTASIA twice, the 1997 animated off-brand Disney princess movie and a 1957 film that scored Ingrid Bergman's second Oscar and marked Helen Hayes' transition to the big screen. And it turns out the musical version has more in common with LES MISERABLES and RAGTIME than BEAUTY AND THE BEAST. Gone is the hell-wizard Rasputin, his talking fruit bat sidekick, and the singing demon caterpillars. At intermission, I asked my third grade niece, Adalyn, how she was liking it. “It's awesome…it's real people, like no Beast or anything. No animals.” We decide that Disney staged musicals are great but more it's more impressive when you can achieve the magic without a story that departs from reality. ANASTASIA is historical fiction hypothetical. It poses a “what if…?” that a daughter of the last czar of Russia (The Grand Duchess Anastasia Nikolaevna) escaped when the czar's family was executed in 1918. Rumors persisted for decades that Anastasia did, in fact, escape. In 2007, DNA testing confirmed the remains of all four Grand Duchesses were in the Imperial grave. In this version, Terrence McNalley's book follows Anastasia's rediscovery of her identity after surviving the attack on her family and sustaining some plot enabling amnesia. Renamed “Anya” she grows up and makes a life in post-Revolution Russia. Anastasia's grandmother, the Dowager Empress (in a staggeringly moving performance by Joy Franz) has fled to France and offered a cash reward for anyone escorting the rumored alive Anastasia to Paris. The wily duo Vlad (Edward Staudenmayer) and Dmitry (Jake Levy) pull a My Fair Lady style makeover on Anya to collect the Dowager's prize. They are pursued by Gleb (Jason Michael Evans). A Soviet officer drawn to Anya romantically but tasked with finding and eliminating the last Romanov. Anya's memory becomes somewhat coaxed back, but the Dowager has stopped seeing Anastasia claimants after too much heart-break from countless frauds. It sounds dark, but with high-tech digital scenery and inspired performances across the cast it is delightful. Stephen Flaherty (Music) and Lynn Ahrens (Lyrics), responsible for bringing us RAGTIME, ONCE ON THIS ISLAND, LUCKY STIFF, as well as the Oscar nominated songs carried over from the animated film. ANASTASIA is a perfect context for this pair. “Stay, I Pray You” (my favorite song of the evening) is evocative of RAGTIME's “New Music”. The two songs literally race my heart in a strangely specific way. My real test of a National Tour at Gammage is how fast I get the music playing in my car on the way home. At ANASTASIA I was already finding, “Stay, I Pray You” walking through the parking lot. The rest of the score is similarly haunting. Lila Coogan, as Anya/Anastasia, powers through the score with nuance, clarity, and passion. Tari Kelly, as Countess Lily, and Stadenmayer (Vlad) were Adalyn's favorite performances and I have to agree. This incredibly gifted pair take the “triple threat” designation (singer, dancer, actor) and go quadruple with the addition of flawless comic timing. The choreography by Peggy Hickey is masterful. It somehow combines inventive and traditional throughout and the ten-minute slice of “Swan Lake” infused into “Quartet at the Ballet” is the highlight of the second act. It's a fun-size version that gets an under-represented art form onto the plate. This kind of trope often means the plot putting the plot on hold. But here, it is the connective tissue between Anya, Dmitry, the Dowager, and Gleb as they each bring us up to speed heading into the show's climax. Ultimately, the show's success comes from applying a higher artistic standard to the “previously-animated-film-now-theatrically-staged” genre. It cashes in on the name draw of the 1997 film then gives the viewer something much more enriched than what they think they are coming to see.

During Asian American & Pacific Islander Heritage Month (AAPIHM), Disney on Broadway is putting the spotlight on the Asian American and Pacific Islander cast members of its hit musicals THE LION KING, ALADDIN, and FROZEN.

Last night (Friday, January 11, 2019) Disney Theatrical Productions hosted 'Disney Theatrical at 25: The Stars Align' at BroadwayCon in Manhattan. The lively panel was made up of some of the stars who created these indelible shows and characters in their original productions. Moderated by Disney Theatrical Productions head Thomas Schumacher, the panel was a fascinating and hilarious discussion filled with behind-the-scenes stories. Panelists included Christian Borle (Tony®-winning Black Stache in Peter and the Starcatcher), Ashley Brown(title role in Mary Poppins), Merle Dandridge (Kala in Tarzan), Susan Egan (Belle in Beauty and the Beast), James Monroe Iglehart(Tony-winning Genie in Aladdin), and Patti Murin (Anna in Frozen).

Now in rehearsals, Steppenwolf Theatre Company is thrilled to present Guards at the Taj, a stunning tale about the search for beauty in desperate circumstances, written by acclaimed playwright Rajiv Joseph (Bengal Tiger at the Baghdad Zoo). As previously announced, ensemble member Amy Morton directs this Chicago premiere, featuring the original cast members, Omar Metwally (Humayun) and Arian Moayed (Babur), who were last seen on Steppenwolf's stage together in Homebody/Kabul. Morton directed the critically acclaimed Off-Broadway world premiere, which won the 2016 Obie Award for Best New American Play.

The Little Mermaid by Alan Menken, Howard Ashman, Glenn Slater, and Doug Wright, based on the Hans Christian Andersen story and the Disney film, runs live on stage at the Barrette Center for the Arts in White River Junction, VT, November 15 - January 7.

Two of Maine's most revered cultural institutions, Portland Stage in Portland and Maine State Music Theatre (MSMT) in Brunswick, are pleased to announce their co-production of Frank McCourt's THE IRISH... AND HOW THEY GOT THAT WAY.  BroadwayWorld brings you a first look below!

DreamWrights awarded the Ann Brougher Noll Memorial Scholarship to Tanner Uffelman and Sarah Tyler on May 19, 2013.

This is the time of year that theatres are looking for productions to attract large audiences in order to bring some extra money into the coffers. BECK, for a number of years did BEAUTY AND THE BEAST for their holiday show. This year they opened the classic ANNIE.

On Tuesday, January 12, 2010, the internationally acclaimed revival of John Kander, Fred Ebb and Bob Fosse's Tony Award-winning musical CHICAGO reached yet another major milestone when it becomes the sixth-longest running production in Broadway history, surpassing Beauty and the Beast with a total of 5,462 performances!

Disney's landmark musical event THE LION KING celebrated 5000 Broadway performances on Thursday, November 5 at the Minskoff Theatre. Only eight other musicals have reached this milestone, including Disney's Beauty and the Beast. THE LION KING is the ninth longest-running musical in Broadway history and the first American musical to welcome 50 million guests worldwide.

Hitch a rainbow ride through ancient Egypt when Pittsburgh CLO kicks off its 63rd Summer Season with Joseph and the Amazing Technicolor Dreamcoat. Cheer for the kid in the coat May 26 through June 7 at the Benedum Center in the heart of downtown Pittsburgh's Cultural District.

Hitch a rainbow ride through ancient Egypt when Pittsburgh CLO kicks off its 63rd Summer Season with Joseph and the Amazing Technicolor Dreamcoat. Cheer for the kid in the coat May 26 through June 7 at the Benedum Center in the heart of downtown Pittsburgh's Cultural District.

The highly anticipated Broadway revival of David Mamet's masterpiece American Buffalo, starring an extraordinary multi-cultural cast - John Leguizamo, Cedric The Entertainer, and Haley Joel Osment began performances onFriday, October 31 at Broadway's Belasco Theatre, 111 West 44, between Sixth and Seventh Avenues. American Buffalo is directed by Robert Falls. The dynamic cast took a break from performances to meet the press.