Good Times Photos - Broadway

Kate Mulvany's adaptation for stage of Ruth Park's much loved The Harp In The South trilogy directed by Kip Williams is a unequivocal success. 

Amanda Glenn's turn as Louise is lovely and heartbreaking. Glenn has a beautiful voice and exquisite is her painstaking, delicate interpretation of the awkward, plain Jane who becomes the iconic burlesque queen.

"Ain't Misbehavin'" is a musical-review which will be of interest to those who like 1920 and 30's Harlem Renaissance swing music. Be aware that the show, though nicely performed, has over 30 songs and no story line.

The Museum of Modern Art delivers a stunning one-artist showcase, and puts forward powerful evidence of Francis Picabia's sly, sensitive genius.

The Representatives are presenting the world premiere of a newly revised and expanded production of 'Private Manning Goes To Washington' by Stan Richardson. Performances begin Tonight, Tuesday, November 29th for a limited run, with the Opening on Sunday, December 4th. This timely play will be performed at the Studio at 345 (345 West 13th Street - west of 8th Avenue) NYC. The production is co-directed by Stan Richardson & Matt Steiner, with design by Paul Hudson and dramaturgy by Jordan Schildcrout. Tickets are only $40 and $20 for students. The price includes the show and the After Party sponsored by Brooklyn Brewery with wine, beer & spirits provided and the opportunity to discuss with the creators and audience members. Talk Backs will soon be announced.

As the opening night of The Belmont Theater's 'Side Show' quickly approaches, the activity in the black box studio has increased ten-fold. The set is becoming more elaborate, the swell of music from the orchestra now fills the air, and the costumes are coming together piece by piece. Tech week has begun, and it can both an exciting and somewhat stressful time for any production. As an actor, it can sometimes be difficult to lose sight of your character and even the meaning behind the show itself among the bustle and flurry of tech week. That is why I felt that the time had come to interview some of the actors in our show, in order to provide a bit of insight into their characters and to explain from their perspective the importance of a musical such as 'Side Show.' And for Nik Olson, this was no small task.

One of the most eagerly awaited new shows of this year's New York Musical Festival (NYMF) is the special event 'Midnight at the Never Get' which will be presented at 42WEST (514 West 42nd Street) for three (3) performances: Thursday, July 28 @ 9pm; Sunday, July 31 @ 9pm; Monday, August 1 @ 8pm. Produced by Michael Chase Gosselin, the musical is conceived by and starring Sam Bolen and Mark Sonnenblick, with musical direction and arrangements by Adam Podd, choreography by Andrew Palermo and directed by Max Friedman. Audiences will be transformed back to 1965 when they enter the venue to the back room of The Never Get.  Featuring a sultry score fashioned after the American Songbook, 'Midnight at The Never Get' imagines two men who never existed at a time that very much did.

The Mac-Haydn Theatre roars back to the 1920's with Kander and Ebb's jazzy music and a deliciously scandalous story in CHICAGO.

Below, BroadwayWorld sends a fond farewell to those who passed away in 2015.

Sketchy Queens is an evening full of hilarious sketch comedy. The show headliner is everyone's favorite Tupperware Diva Kay Sedia and introducing Mexico's #1 country music star Reba Areba. Four nights only, find out what happens when you combine Mexican's hit country singer, Reba Areba with beauty queen and Tijuana high fashion model, Kay Sedia. Scroll down for photos of the cast!

... The other impression I got from "Singin'" was the incredible depth of talent required of all the actors. The legendary Gene Kelly was the original choreographer, setting a high bar for anyone to follow (or vault over), to belabour the metaphor. This performance is meant to be extremely high intensity; highly athletic. To pull it off, actors must have a huge vocal range, a powerful voice, be highly gifted dancers in a number of genre's including tap, flamenco, ballet, have the agility of an acrobat, be incredibly funny and posses the ability to act ! They were all so physically beautiful, (or perfectly caste, befitting their role). One imagines a vast pool of players and an extreme vetting process to have achieved so many creme de la creme in one show.