Do Lord Remember Me 1984

Of all the films on IMDB's list of the 1000 highest-grossing movies of all time, 31 have been adapted into Broadway musicals. Check out a guide to each those musicals below, along with musicals that are in development or ones that have not yet made their way to Broadway.

The year 1985, the setting Fair Verona where we lay our scene. Over the years Romeo & Juliet has been translated, interpreted and conceived in many different forms and fashion. Outside of literature none more so than that of film and stage. Diverting back to literature briefly, Romeo & Juliet was first translated into English in 1562 as a poem entitled The Tragic History of Romeus and Juliet by Arthur Brooke.

In the wake of Stephen Sondheim's passing, there has been an outpouring of grief from the Broadway community and beyond. Read them all here.

BWW Reviewer Peter Nason chooses the 101 greatest protest songs from 1939-2020. See if your favorite songs or artists made the list!

Enduring and endearing actress and singer, Linda Purl, is not only one of the great artists, she is also one of the great beauties, inside and out. Here, she chats with Stephen Mosher about life, art, isolation and motherhood.

BWW Reviewer Peter Nason chooses the best TV episodes from the 1950's to 2020; see if your favorites made the list!

How do we make a list of the 101 greatest show tunes from the past 100 years? Well, we did the near-impossible task.  Check out our full list here! 

GOOD MORNING, THEATERATI! According to the non-clock thing hanging on the wall - what's it called? Oh, yeah, a calendar (yeah, like we'd ever allow a calendar to hang on any wall under our control - today is May 31, 2017! It's another day to allow yourself to live life dramatically and to gain ownership of your own schedule for the rest of the week so you can be certain to get to the theater. Yesterday, in our never-ending quest to enlist all of you to write our daily column for us, we posted TODAY'S QUERY on Facebook, asking our gentle readers to weigh in or whether or not 'dressing for the theater' is de rigueur or is it more of a 'come as you are' nature. Little did we know that such a question could engender such passionate responses and we daresay rather passionate defenses of the wear-whatever-the-hell-you-want school of thought.

On February 15, 2016 HAMILTON will perform its opening number live at the 58th Annual Grammy Awards. Only eight musicals (nine, if you count RIVERDANCE) have had this honor since the first Grammy Award ceremony in 1959. HAMILTON will make history, yet again, as the first show to perform via satellite during the ceremony; while the ceremony is at the Staples Center in Los Angeles, California, the cast will be performing on their set at the Richard Rodgers Theatre in New York City.

Coming to New Orleans tomorrow night is an act that no JERSEY BOYS loving theatergoers, including myself, are going to want to miss! THE MIDTOWN MEN, four original cast members from the Broadway hit JERSEY BOYS (Christian Hoff, Michael Longoria, Daniel Reichard, J. Robert Spencer) have come together and have formed their own music group which brings to life the music of the 60's in what's sure to be an energy packed show.

When the night is dark and stormy, or the mist is rising on the moors under a full moon; when there are macabre stirrings in the tomb, or the unearthly howling of laughter from audience members - it must be the season for THE MYSTERY OF IRMA VEP, Charles Ludlam's ribald sendup of gothic romance and horror that begins preview next Wednesday, October 12, opens October 15, and continues through November 6 at RUBICON THEATRE COMPANY.

When the night is dark and stormy, or the mist is rising on the moors under a full moon; when there are macabre stirrings in the tomb, or the unearthly howling of laughter from audience members - it must be the season for THE MYSTERY OF IRMA VEP, Charles Ludlam's ribald sendup of gothic romance and horror that begins preview next Wednesday, October 12, opens October 15, and continues through November 6 at RUBICON THEATRE COMPANY.

When the night is dark and stormy, or the mist is rising on the moors under a full moon; when there are macabre stirrings in the tomb, or the unearthly howling of laughter from audience members - it must be the season for THE MYSTERY OF IRMA VEP, Charles Ludlam's ribald sendup of gothic romance and horror that begins preview next Wednesday, October 12, opens October 15, and continues through November 6 at RUBICON THEATRE COMPANY.

Today we are talking to the heart-stopping bombshell of BODY HEAT and PEGGY SUE GOT MARRIED, the satirical queen of comedy in SERIAL MOM, the Mother of mass suicide in THE VIRGIN SUICIDES and the unforgettable dog-trainer in MARLEY & ME, as well as the greatest Martha since Uta Hagan in the Edward Albee's ferocious work of staggering genius, WHO'S AFRAID OF VIRGINIA WOOLF; star of stages and screens all over the world, the one and only Kathleen Turner. Talking theatre (her new play HIGH), film (past and future, including a few in the can such as one co-starring Jason Ritter), television (she plays David Duchovney's confidant on CALIFORNICATION), and her erudite insights on the cultural significance of the basic arts - like theatre - in a technology-drenched world. Ms. Turner also talks about working with Francis Ford Coppola, John Waters, Edward Albee, Michael Douglas, William Hurt, James Woods, Kirsten Dunst, Sofia Coppola, Jason Ritter, Emily Deschanel and a host of other huge Hollywood and/or Broadway heavyweights. Her unmistakable voice and spirit paw and purr through every word she selects, she is the cat's pajamas - or should I say, cat's negligee.