Alice in Arms 1945

How do we make a list of the 101 greatest show tunes from the past 100 years? Well, we did the near-impossible task.  Check out our full list here! 

Following a sell-out season at the Abbey Theatre as part of the 100th anniversary celebrations of the 1916 Easter Rising, as well as a successful Irish and US tour, The Plough and the Stars comes to the Lyric Hammersmith as a co-production with the Abbey Theatre.

?Tennessee Shakespeare Company, in partnership with the University of Memphis' Department of Theatre & Dance, calls to action-packed theatrical life the battlefields and courts of an ambitious young king in William Shakespeare's masterwork on the chaos of war and the romance of peace:  Henry V.

The New York Philharmonic will present Rachmaninoff: A Philharmonic Festival, tonight, November 10-28, 2015, featuring 24-year-old Russian pianist Daniil Trifonov performing three of the composer's piano concertos and the Rhapsody on a Theme of Paganini over the course of three consecutive all-Rachmaninoff programs, each led by a different conductor: Cristian Macelaru (in his Philharmonic debut), Neeme Jarvi, and Ludovic Morlot.

The New York Philharmonic will present Rachmaninoff: A Philharmonic Festival, November 10-28, 2015, featuring 24-year-old Russian pianist Daniil Trifonov performing three of the composer's piano concertos and the Rhapsody on a Theme of Paganini over the course of three consecutive all-Rachmaninoff programs, each led by a different conductor: Cristian Macelaru (in his Philharmonic debut), Neeme Jarvi, and Ludovic Morlot.

The Old Globe today announced that James Vasquez (Dr. Seuss' How The Grinch Stole Christmas!, Richard O'Brien's The Rocky Horror Show) will direct the final show of its 2014-2015 Season, the West Coast premiere of an exciting new American play, Rich Girl, by acclaimed playwright Victoria Stewart. Rich Girl will play May 23 - June 21, 2015.

Symphony Space opens its 2013-14 Music season with 'Kurt Weill on Broadway,' tonight, October 7 (8 pm) at the Peter Jay Sharp Theatre. Today marks the 70th anniversary of the Broadway opening of Weill's One Touch of Venus. Ted Chapin hosts a stellar cast featuring Melissa Errico, Brent Barrett, Judy Blazer, and Ron Raines, plus winners of the international Lotte Lenya Competition.

Symphony Space will open its 2013-14 Music season with 'Kurt Weill on Broadway,' Monday, October 7 (8 pm) at the Peter Jay Sharp Theatre. The show takes place on the 70th anniversary of the Broadway opening of Weill's One Touch of Venus. Ted Chapin hosts a stellar cast featuring Melissa Errico, Brent Barrett, Judy Blazer, and Ron Raines, plus winners of the international Lotte Lenya Competition.

One of the most beloved stories of all time comes to life in White River Junction when Northern Stage, the region's professional theater, stages L. Frank Baum's The Wizard of Oz from December 8 - January 2.

One of the most beloved stories of all time comes to life in White River Junction when Northern Stage, the region's professional theater, stages L. Frank Baum's The Wizard of Oz from December 8 - January 2.

One of the most beloved stories of all time comes to life in White River Junction when Northern Stage, the region's professional theater, stages L. Frank Baum's The Wizard of Oz from December 8 - January 2.

On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees. Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.' Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.

On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees. Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.' Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.