They Walk Alone 1941

La Jolla Playhouse has announced complete programming for its 2023 Without Walls (WOW) Festival of immersive and site-inspired work.

Last year, Michael Ball recorded ‘Leaning on a Rainbow’ for the soundtrack to the new film ‘Blithe Spirit’. The full track is now available on Spotify, Apple Music, Amazon, and more.

BWW Reviewer Peter Nason chooses the 101 greatest scenes in cinema from 1901 to 2020. See if your favorite movie moments made the list!

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

Summer at Lincoln Center is a time-honored New York tradition, bringing people from all walks of life together to experience a multitude of music, dance, and drama across the entire campus. Harnessing Mozart's innovative spirit as its inspiration, the Mostly Mozart Festival (July 10a?"August 10) continues this month with groundbreaking, international, and multidisciplinary productions; acclaimed artists of all genres; introductions to emerging creative voices; and the presentation of new works and ideas.

New Adventure's Production of the tale of Cinderella has never been more salacious or delicious. The dancing is superb, as well as the artistry involved in every facet of the production. With the updated scenario created, Cindy's world is smack dab in the middle of World War II. Directed and Choreographed by the incredible Sir Matthew Bourne, and loosely based on his parent's war stories, we are taken to London in the '40s, during the middle of air raids, bombings and destruction. The set design and wardrobe is all very drab in muted black and grey reflecting the tone of the environment. Wickedly creative is the choreography, the sets, the costumes, lighting and sound, not to mention the score by Prokofiev. Cinderella Opus 87 is such a melodious wonderland for a choreographer and his artistic team to work with. There is such power, intensity and magic in this lively piece. In Sir Matthew Bourne's hands, and feet, it is a fabulous, imaginative display of artistry and brilliance.

Hot off the heels of its critically acclaimed revival of Fiorello!, which was named a Critic's Pick by The New York Times, Berkshire Theatre Group (BTG) and Kate Maguire (Artistic Director/CEO) have announced BTG's 2017 Summer Theatre Season.

Peter Martins' reconstruction of the 1836 tragicomedy, 'La Sylphide', and Balanchine's 1972 update of 'Tschaikovsky Piano Concerto No. 2' proved to be a particularly felicitous pairing for a February 12th to 18th run at the Koch Theater during New York City Ballet's Winter Season. 'La Sylphide', with choreography by the Danish icon August Bournonville to a score by Herman Lovenskjold, is a masterpiece of surprisingly campy humor plus gorgeous 'white ballet' ensemble work for the ladies. After that opener, the audience is warmed up and ready for one of Mr. B's most ingenious plotless neoclassic treasures.

BroadwayWorld has learned that actress Marjorie Lord has died. Best known for her starring role on the television series MAKE ROOM FOR DADDY, Lord passed away on November 28, 2015 in her Beverly Hills home of natural causes.

Scott Siegel's Town Hall series explores the changes a quarter century can make.

The Mirror Repertory Company, along with The Greensboro Arts Alliance and Residency (GAAR), presents Tony-nominee Marla Schaffel (Jane Eyre) in THE MIRACLE WORKER as part of its 2014 summer season in Greensboro, Vermont. GAAR's 2014 summer season will also include a limited engagement of Rodgers + Hammerstein's CAROUSEL.

The Mirror Repertory Company, along with The Greensboro Arts Alliance and Residency (GAAR), presents Tony-nominee Marla Schaffel (Jane Eyre) in THE MIRACLE WORKER as part of its 2014 summer season in Greensboro, Vermont. With special events beginning over the 4th of July weekend, GAAR's 2014 summer season will also include a limited engagement of Rodgers + Hammerstein's CAROUSEL.

The Midtown International Theatre Festival (MITF)'s fourteenth season will include a slate of full-length plays and musicals, as well as Short Subjects. The Festival will run from July 15 to August 4, 2013, at the June Havoc Theatre, 312 W. 36th Street, NYC, 1st floor; the Dorothy Strelsin Theatre, 312 W. 36th Street, NYC, 1st floor; the Main Stage Theater, 312 W. 36th Street, NYC, 4th floor; and the Jewel Box Theater, 312 W. 36th Street, NYC, 4th floor.

The Midtown International Theatre Festival (MITF)'s fourteenth season will include a slate of full-length plays and musicals, as well as Short Subjects. The Festival will run from July 15 to August 4, 2013, at the June Havoc Theatre, 312 W. 36th Street, NYC, 1st floor; the Dorothy Strelsin Theatre, 312 W. 36th Street, NYC, 1st floor; the Main Stage Theater, 312 W. 36th Street, NYC, 4th floor; and the Jewel Box Theater, 312 W. 36th Street, NYC, 4th floor. Tickets are $15 for short plays and $18 for longer plays. Tickets are available at www.midtownfestival.org. The Festival also offers various group discounts and package passes, good for full-length and short plays.

The Midtown International Theatre Festival (MITF) has announced the lineup of full-length plays and musicals for its fourteenth season, running from July 15 to August 4, 2013 at the June Havoc Theatre, 312 W. 36th Street, NYC, 1st floor; the Dorothy Strelsin Theatre, 312 W. 36th Street, NYC, 1st floor; the Main Stage Theater, 312 W. 36th Street, NYC, 4th floor; and the Jewel Box Theater, 312 W. 36th Street, NYC, 4th floor. Tickets are $15 for short plays and $18 for longer plays. Readings are free. Tickets will be available in May at www.midtownfestival.org or by phone at 866-811-4111. The Festival also offers various group discounts and package passes, good for full-length and short plays.

Today we are talking to a terrifically talented stage and screen performer who has appeared in dozens of film, TV and stage projects over the course of his forty-year career, the thoughtful and charming Treat Williams. In this all-encompassing conversation, Williams and I discuss the many stages of his career thus far, from his early roots co-starring alongside the likes of John Travolta and Marilu Henner in GREASE and OVER HERE! on Broadway in the 1970s, to leading the film adaptation of Terrence McNally's THE RITZ to headlining Milos Foreman's stirring film version of HAIR to starring in handful of other iconic films from his heydey at the top of the Hollywood heap - Steven Spielberg's 1941, Sergio Leone's ONCE UPON A TIME IN AMERICA and Sidney Lumet's PRINCE OF THE CITY included - and even working with Woody Allen on the caustic HOLLYWOOD ENDING. In addition to sharing candid and observant behind-the-scenes stories from the sets of those landmark properties, Williams also reveals his role in the STAR WARS sequel THE EMPIRE STRIKES BACK and reflects on his brief time in London with Carrie Fisher, George Lucas and company. Plus, Williams shares his recollections of working with many of his most memorable theatrical collaborators, with some especially intriguing anecdotes surrounding his time spent playing Buddy in the 2001 Roundabout revival of Stephen Sondheim & James Goldman's FOLLIES - with some tales involving the man behind the musical, as well as the ghost of David Belasco - and his insights into his work with David Mamet on OLEANNA, BOBBY GOULD IN HELL, TEXAN and others. As if all of that were not enough - most pertinent of all - Williams gives us the 411 on his season-long arc on USA's hit nighttime drama WHITE COLLAR and imparts his enthusiasm for working with similarly multi-talented many-format star Matt Bomer and the rest of cast and crew while also revealing some details on where his dastardly character is headed in tonight's episode and all the way into 2013 when the show picks up after the hiatus coming up. Also, Williams sheds some light on his spate of upcoming projects. All of that and much, much more!

Executive Producer Lou Spisto today announced that The Old Globe will produce the World Premieres of four new plays and musicals in its 2011-12 Winter Season. The season will feature the World Premiere musicals Some Lovers by music legend Burt Bacharach and Tony Award winner Steven Sater and Nobody Loves You by Gaby Alter and Itamar Moses, as well as the West Coast Premiere of John Kander and Fred Ebb's The Scottsboro Boys, recently nominated for 12 Tony Awards including Best Musical, directed and choreographed by five-time Tony Award winner Susan Stroman. The two plays receiving World Premiere productions are Somewhere by Globe Playwright-in-Residence Matthew Lopez and The Recommendation by Jonathan Caren. The new season also includes revivals of Richard O'Brien's The Rocky Horror Show and the Eugene O'Neill classic Anna Christie directed by Pulitzer Prize and Tony Award winner David Auburn. Special events include the World Premiere of Odyssey by Todd Almond, a music theater event conceived and directed by Lear deBessonet celebrating the Globe's 75th Anniversary, The Old Globe/University of San Diego Graduate Theatre Program production of Twelfth Night and Dr. Seuss' How the Grinch Stole Christmas!, which returns for its 14th consecutive year.

New York Women in Film & Television (NYWIFT), which has supported the advancement of women in the entertainment industry for more than 30 years, will present their 30th annual Muse Awards at a gala luncheon to be held Wednesday, December 8th at the New York Hilton.

New York Women in Film & Television (NYWIFT), which has supported the advancement of women in the entertainment industry for more than 30 years, will present their 30th annual Muse Awards at a gala luncheon to be held Wednesday, December 8th at the New York Hilton.